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Outsider art is art made by self-taught individuals who are untrained and untutored in the traditional arts with typically little or no contact with the conventions of the art worlds. The term outsider art was coined in 1972 as the title of a book by art critic Roger Cardinal . [ 1 ]
Social sculpture is a phrase used to describe an expanded concept of art that was invented by the artist and founding member of the German Green Party, Joseph Beuys.Beuys created the term "social sculpture" to embody his understanding of art's potential to transform society.
In her 1970 book Meaning and Expression: Toward a Sociology of Art, Hanna Deinhard gives one approach: "The point of departure of the sociology of art is the question: How is it possible that works of art, which always originate as products of human activity within a particular time and society and for a particular time, society, or function -- even though they are not necessarily produced as ...
Outsider artists are artists with little or no contact with the mainstream art world. They are frequently on the margins of society: for example, slaves, prisoners, and the mentally ill. Their creative output is referred to as Outsider Art
This list, of art makers who are considered Outsider artists, includes self-taught, visionary art and naïve art makers known for the creation of artworks that are primarily visual in nature such as drawings, paintings, sculptures, and visionary environments. The entries are in alphabetical order by surname.
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Raw Vision was founded by John Maizels in 1989 as a way of telling people about outsider art, with a small freelance staff and text contributed by scholars. [3] Each issue features outsider artists from different countries, as well as covering general news on the subject of outsider art from around the world.
Grant Wood's magnum opus American Gothic, 1930, has become a widely known (and often parodied) icon of social realism.. Social realism is the term used for work produced by painters, printmakers, photographers, writers and filmmakers that aims to draw attention to the real socio-political conditions of the working class as a means to critique the power structures behind these conditions.