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The BACH motif.. A musical cryptogram is a cryptogrammatic sequence of musical symbols which can be taken to refer to an extra-musical text by some 'logical' relationship, usually between note names and letters.
Most of the other terms are taken from French and German, indicated by Fr. and Ger., respectively. Unless specified, the terms are Italian or English. The list can never be complete: some terms are common, and others are used only occasionally, and new ones are coined from time to time.
It allows a guitar player to have the open strings start at a higher pitch, thus facilitating the transposition of songs and the use of the "ringing", rich sound of open chords in unusual keys. changes. A jazz term which is an abbreviation for "chord changes", which is the harmonic progression (or "chord progression") upon which a melody is ...
Cauda, a Latin word meaning "tail", "edge" or "trail" is the root of coda and is used in the study of conductus of the 12th and 13th centuries. The cauda was a long melisma on one of the last syllables of the text, repeated in each strophe.
Chromaticism is a compositional technique interspersing the primary diatonic pitches and chords with other pitches of the chromatic scale. In simple terms, within each octave, diatonic music uses only seven different notes, rather than the twelve available on a standard piano keyboard. Music is chromatic when it uses more than just these seven ...
Download as PDF; Printable version; In other projects Wikidata item; Appearance. move to sidebar hide. Bad Time may refer to: "Bad Time" (Grand Funk ... Bad Times, a ...
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement. Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition. The term comes from classical music and was first applied to jazz by ...
The term "pitch axis theory" has been criticized as misleading, as the above techniques do not represent a separate theory of music, and simply refer to the application of scales — according to standard music theory — over the common technique of a pedal point chord progression.