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The Sanskrit scholar Barbara Stoler Miller translated these sections as Among Fools and Kings, Passionate Encounters and Refuge in the Forest respectively. Especially in the Vairāgyaśataka , but also in the other two, his poetry displays the depth and intensity of his renunciation as he vacillates between the pursuits of fleshly desires and ...
It mentions three "knots" (granthis), a kind of chakra, which have to be pierced to allow the Kundalini to pass through. The three are the knots of Brahma at the base of the Sushumna channel, of Vishnu at the heart, and of Rudra , between the eyebrows.
A shataka (Sanskrit: शतकम्, romanized: śatakam) is a genre of Sanskrit literature. [1] It comprises works that contain one hundred verses. [ 2 ] [ 3 ] It is also a popular genre of Telugu literature .
Dhatu Ratnakara Campu (1889–1893) is a campu cavya with the story of Ramayana illustrating the use of verbal forms for the roots given by Pāṇini, the Sanskrit grammarian. 2. Sringara Sringataka (1891) is a small playlet called Veedhi with predominantly erotic sentiment. 3.
Wife awaits her Husband, Verse 76, Amaru Shataka by Amaru, early 17th-century painting. The Amaruśataka or Amarukaśataka (अमरुशतक, "the hundred stanzas of Amaru"), authored by Amaru (also Amaruka), is a collection of poems dated to about the 7th [1] or 8th century.
Sanskrit literature is a broad term for all literature composed in Sanskrit. This includes texts composed in the earliest attested descendant of the Proto-Indo-Aryan language known as Vedic Sanskrit, texts in Classical Sanskrit as well as some mixed and non-standard forms of Sanskrit.
The Dayashataka (Sanskrit: दयाशतकम्, romanized: Dayāśatakam) is a Sanskrit hymn composed by the Hindu philosopher Vedanta Desika. [1] Comprising one hundred verses [2] in ten decads, the hymn was written in praise of Venkateshvara, a form of Vishnu who is the principal deity of the Venkateshvara Temple, Tirupati. [3]
whose face was beautiful and pure like the lotus opened by the rays of the sun; whose chargers had drunk the water of three oceans; whose face was lovely and radiant like the orb of the full moon; whose gait was beautiful like the gait of a choice elephant; whose arms were as muscular and rounded, broad and long as the folds of the lord of ...