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In music, the length of a Sentence (music) This page was last edited on 30 December 2019, at 02:11 (UTC). Text is available under the Creative Commons ...
Some studies suggest that readability can be improved by breaking sentences into separate units of thought—or varying the internal spacing of sentences. Mid-20th century research on this topic resulted in inconclusive findings. [112] A 1980 study split sentences into 1–5-word phrases with additional spacing between segments.
The author adds the caveat that in certain instances a writer may want to use two spaces between sentences. The examples given are: when one space "may not provide a clear visual break between sentences", if an abbreviation is used at the end of a sentence, or when some very small proportional fonts (such as 10-point Times New Roman) are used.
A second variation is a headless verse, which lacks the first syllable of the first foot. A third variation is catalexis, where the end of a line is shortened by a foot, or two or part thereof – an example of this is at the end of each verse in Keats' "La Belle Dame sans Merci": And on thy cheeks a fading rose (4 feet) Fast withereth too (2 feet)
A long sentence completion test is the Forer Sentence Completion Test, which has 100 stems. The tests are usually administered in booklet form where respondents complete the stems by writing words on paper. The structures of sentence completion tests vary according to the length and relative generality and wording of the sentence stems.
According to Alastair Fowler, the following elements can define genres: organizational features (chapters, acts, scenes, stanzas); length; mood; style; the reader's role (e.g., in mystery works, readers are expected to interpret evidence); and the author's reason for writing (an epithalamion is a poem composed for marriage). [3]
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