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The song states that China is the dragon, and Chinese people the "Descendants of the Dragon". [14] Although the use of Chinese dragon as a motif has a long history, using dragon to represent the Chinese people only became popular since the 1970s.
Drukpa Kunley (1455–1529), also known as Kunga Legpai Zangpo, Drukpa Kunleg (Tibetan: འབྲུག་པ་ཀུན་ལེགས་, Wylie: brug pa kun legs), and Kunga Legpa, the Madman of the Dragon Lineage (Tibetan: འབྲུག་སྨྱོན་ཀུན་དགའ་ལེགས་པ་, Wylie: 'brug smyon kun dga' legs pa), was a Tibetan Buddhist monk, missionary, and ...
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Yan Huang Zisun (Chinese: 炎黃子孫; lit. 'Descendants of Yan[di] and Huang[di]'), or descendants of Yan and Yellow Emperors, [1] is a term that represents the Chinese people and refers to an ethnocultural identity based on a common ancestry associated with a mythological origin.
However, the story, dubbed Con rồng cháu tiên ("Descendants of the Dragon and the Immortal"), is labeled as a truyền thuyết ("legend"), a "type of folkloric tale about historical characters and events, usually embellished with fantastical elements," [7] and is more akin to other fantastical legends, such as the story of Lê Lợi ...
There is debate whether Jesus claimed to be divine, or whether divinity was attributed to him progressively by his followers. [ 100 ] [ 101 ] Jesus did not make public claims of divinity. [ 102 ] In the first three centuries of the Christian movement, Jesus' identity and relation to God were often subjects of debate and controversy, and the ...
Yaldabaoth, otherwise known as Jaldabaoth or Ialdabaoth [a] (/ ˌ j ɑː l d ə ˈ b eɪ ɒ θ /; Koinē Greek: Ιαλδαβαώθ, romanized: Ialdabaóth; Latin: Ialdabaoth; [1] Coptic: ⲒⲀⲖⲦⲀⲂⲀⲰⲐ Ialtabaôth), is a malevolent God and demiurge (creator of the material world) according to various Gnostic sects, represented sometimes as a theriomorphic, lion-headed serpent.
Simultaneously, the sides of the boat are decorated to resemble the body of serpentine dragon, thereby looking like the features of deity Pakhangba. [ 8 ] : 85 In the post- Khagemba era, representations of Pakhangba in the form of a paphal (a coiled serpent or dragon biting its own tail, similar to an oubouros became prominent.