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Traditionally the material used in modeling clay, but plaster is considered a less desirable but also less expensive substitute. Frequently the sculpture created by the additive method is a temporary one, used to create a more permanent version in stone or bronze.
A procedure for preparing clay or a clay body by hand: the lump of clay is repeatedly thrown down on a work bench; between each operation the lump is turned and sometimes cut through and rejoined in a different orientation. The object is to disperse the water more uniformly, to remove lamination and to remove air. Whiteware
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The "clay body" is also called the "paste" or the "fabric", which consists of 2 things, the "clay matrix" – composed of grains of less than 0.02 mm grains which can be seen using the high-powered microscopes or a scanning electron microscope, and the "clay inclusions" – which are larger grains of clay and could be seen with the naked eye or ...
Glossary of sculpting; T. Glossary of theater terms; U. List of ukiyo-e terms; V. Glossary of vexillology This page was last edited on 4 March 2020, at 19:57 (UTC ...
Articles relating to modelling clay, any of a group of malleable substances used in building and sculpting. The material compositions and production processes vary considerably. The material compositions and production processes vary considerably.
Paper clay is handmade or commercially available clay to which a small percentage of processed cellulose fiber is added. The fiber increases the tensile strength of the dry clay and enables dry-to-dry and wet-to-dry joins. Commercial paper clays air-dry to a firm, lightweight sculpture, with minimal shrinking during the drying process. [4]
A leading figure in the later period was Andrea del Verrocchio, best known for his equestrian statue of Bartolomeo Colleoni in Venice; [81] his pupil Leonardo da Vinci designed an equine sculpture in 1482 The Horse for Milan, but only succeeded in making a 24-foot (7.3 m) clay model which was destroyed by French archers in 1499, and his other ...
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