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Specifically, "algorithmic transparency" states that the inputs to the algorithm and the algorithm's use itself must be known, but they need not be fair. " Algorithmic accountability " implies that the organizations that use algorithms must be accountable for the decisions made by those algorithms, even though the decisions are being made by a ...
A Digital Cinema Package (DCP) is a collection of digital files used to store and convey digital cinema (DC) audio, image, and data streams.. The term was popularized by Digital Cinema Initiatives, LLC in its original recommendation [1] for packaging DC contents.
Blockchain systems provide transparent and fixed records of transactions and hereby contradict the goal of the European GDPR, which is to give individuals full control of their private data. [43] [44] By implementing the Decree on Development of Digital Economy, Belarus has become the first-ever country to legalize smart contracts. Belarusian ...
Algorithmic accountability refers to the allocation of responsibility for the consequences of real-world actions influenced by algorithms used in decision-making processes. [ 1 ] Ideally, algorithms should be designed to eliminate bias from their decision-making outcomes.
A video file format is a type of file format for storing digital video data on a computer system. Video is almost always stored using lossy compression to reduce the file size. A video file normally consists of a container (e.g. in the Matroska format) containing visual (video without audio) data in a video coding format (e.g. VP9 ) alongside ...
This is the standard broadcast frame rate for countries with an NTSC history—mainly the US, Canada, Japan and South Korea. This was the standard format of American TVs due to the displaying of CRT screens which were common place before the wide spread use of digital monitors. Alternating currents are used to time each scan, by which two scans ...
no standard no standard 1 perf, center spherical 11 mm spherical Home Kinetoscope: Edison: 1912 unknown (amateur format) no standard no standard no standard no standard spherical 22 mm, 2 perf (on frameline between frame rows) 1.5 0.236" × 0.157" (three frames across width) spherical Pathe Kok: Pathé: 1912 unknown (amateur format) 28 mm 1.36
Possible bitrate and latency combinations compared with other audio formats. Opus supports constant and variable bitrate encoding from 6 kbit/s to 510 kbit/s (or up to 256 kbit/s per channel for multi-channel tracks), frame sizes from 2.5 ms to 60 ms, and five sampling rates from 8 kHz (with 4 kHz bandwidth) to 48 kHz (with 20 kHz bandwidth, the human hearing range).