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"Beautiful Sunday" is a song written by Daniel Boone and Rod McQueen (real name David Balfe) [3] and performed by Boone. It appeared on his 1972 album Beautiful Sunday and was produced by Larry Page and arranged by Boone. [4] It has been described as the biggest international hit in the British bubblegum pop genre. [5]
"Sunday Morning" is a song by American pop rock band Maroon 5. It was released on December 2, 2004, as the fourth single from their debut studio album Songs About Jane (2002). The single peaked at number 31 in the United States, becoming Maroon 5's fourth Top 40 single; it also peaked at number 27 in the United Kingdom and Australia.
Sunday Morning Music is the debut album by the American singer Thornetta Davis, released in 1996. [ 2 ] [ 3 ] Davis was the first Black artist signed to Sub Pop , a label initially known for its grunge releases.
"Sunday Morning" was released as a single on 22 November 2019, [2] [4] with a music video for the song being released a month later on 13 December. [5] The song debuted at number 37 in New Zealand in December, returning to the charts for two weeks in February 2020. [6]
"Sunday Morning", from the musical Natasha, Pierre & the Great Comet of 1812 "Sunday Morning" (日曜の朝), by Hikaru Utada from the 2006 album Ultra Blue "Sunday Mornin", by Mary Mary from her 2011 album Go Get It
Mornings, titled Weekend Mornings on Saturday and Sunday, is the morning program on the CBC Music radio network in Canada. The program features a cross-genre selection of selected new and old Canadian and international singer/songwriter, rock and pop tracks. It also presents anecdotes, overnight news stories, and background information on the ...
Aiming to create a hit for the album, "Sunday Morning" features noticeably more lush and professional production than the rest of the songs on the album. The song's prominent use of celesta was the idea of John Cale , who noticed the instrument in the studio and decided to use it for the song.
"A Beautiful Morning" is a song written by Felix Cavaliere and Eddie Brigati and recorded by the Rascals. Released in early 1968, it was the group's first track released after shortening their name from the Young Rascals. The single was one of the earliest released in stereo, as 7-inch singles generally were in mono. [3]