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Shir ha-Shirim Rabbah (Hebrew: שיר השירים רבה) is an aggadic midrash on Song of Songs, quoted by Rashi under the title "Midrash Shir ha-Shirim". [1] It is also called Aggadat Hazita , from its initial word "Hazita", [ 2 ] or Midrash Hazita .
Yalkut Shimoni used it as a basis for its commentary on Shir haShirim, but also quotes it in the commentary to other Biblical books. [7] In Yalkut Shimoni, the name "Pesikta Rabbati" is used for Shir haShirim Rabbah, while Zutta is always referred to as "Midrash Shir haShirim." The author of Yalkut Shimoni may have applied this name to Rabbah ...
Midrash Rabba or Midrash Rabbah can refer to part of or the collective whole of specific aggadic midrashim on the books of the Torah and the Five Megillot, generally having the term "Rabbah" (רבה ), meaning "great," as part of their name. These midrashim are as follows: Genesis Rabbah; Exodus Rabbah; Leviticus Rabbah; Numbers Rabbah ...
The Hebrew Academy of Cleveland is a private day school in Cleveland, Ohio with over 1,000 students. It provides Judaic and secular education from pre-school through high school. The Hebrew Academy was established in 1943 by the Telshe Yeshiva and was the first Jewish day school founded outside the east coast. In 1947, Yavne, a girls division ...
Song of Songs (Cantique des Cantiques) by Gustave Moreau, 1893 The Song of Songs (Biblical Hebrew: שִׁיר הַשִּׁירִים , romanized: Šīr hašŠīrīm), also called the Canticle of Canticles or the Song of Solomon, is a biblical poem, one of the five megillot ("scrolls") in the Ketuvim ('writings'), the last section of the Tanakh.
Midrash halakha is the name given to a group of tannaitic expositions on the first five books of the Hebrew Bible. [42] These midrashim, written in Mishnaic Hebrew, clearly distinguish between the Biblical texts that they discuss and the rabbinic interpretation of that text. They often go beyond simple interpretation and derive or support halakha.
This relation is also frequently illustrated by the parable of a king who had a beloved or a wife (e.g., Bamidbar 2:14–15; Devarim Rabbah 3:9,11,16), since, according to Isa. 54:5, Jer. 2:2, and Hosea 2:18, 21–22, Israel is the bride of God, His wife, whom He loves, and whom He always takes back, although He may at times disown her and cast ...
The core of the Pesikta is old and must be classed together with Genesis Rabbah and Lamentations Rabbah.But the proems in the Pesikta, developed from short introductions to the exposition of the scripture into more independent homiletic structures, as well as the mastery of form apparent in the final formulas of the proems, indicate that the Pesikta belongs to a higher stage of midrashic ...