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"The Stumble" is a blues guitar instrumental composed and recorded by American blues artist Freddie King, for his 1961 album Let's Hide Away and Dance Away with Freddy King. [1] It is considered a blues classic and follows in a string of popular instrumentals recorded by King in the early 1960s, including "Hide Away", "San-Ho-Zay", and "Sen-Sa ...
"West 22nd Street Theme", which closes side one, is a reference to a Manhattan section near the 10th Ave, Chelsea, where Hutcherson lived for a while. It is a depiction of some guys who used to be on Hutcherson's doorstep, stoned. "It's a blues," says Hutcherson, "but the changes are different than the usual blues chords."
John Patton (July 12, 1935 – March 19, 2002) [1] was an American jazz, blues and R&B pianist and organist often known by his nickname, Big John Patton.. Patton was one of the most in-demand organists during the golden era of the Hammond B-3 organs between 1963 and 1970.
Blues pianist Charlie Segar first recorded the song in 1940. Jazz Gillum and Big Bill Broonzy followed with recordings in 1940 and 1941, using an arrangement that has become the standard. When Little Walter updated the song in 1958 in an electric Chicago blues style, it became a success on the R&B record chart.
"I Ain't Superstitious" is a mid-tempo stop-time blues song that does not follow the typical chord progression. [2] Musician and writer Bill Janovitz described it as "not merely an electric version of the blues practiced in the Delta; it is something wholly new, a more aggressive and sophisticated Chicago cousin that acknowledges contemporary jazz, R&B, and pop forms".
Healey began hosting a jazz and blues show on radio station CIUT-FM, where he was known for playing from his massive collection of vintage 78 rpm gramophone records. [ 5 ] Shortly thereafter he was introduced to bassist Joe Rockman (born January 1, 1957, Toronto) and drummer Tom Stephen (born February 2, 1955, New Brunswick – died February 20 ...
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The Blues for Alice changes, Bird changes, Bird Blues, or New York Blues changes, is a chord progression, often named after Charlie Parker ("Bird"), which is a variation of the twelve-bar blues. The progression uses a series of sequential ii–V or secondary ii–V progressions, and has been used in pieces such as Parker's " Blues for Alice ".