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Potpourri No. 1 for Violin & String Trio, Op. 5 (1832) Theme and Variations for String Quartet, Op. 6; Violin Concerto No. 3 in C major, Op. 7 (1805) Theme and Variations for String Quartet, Op. 8; 2 Concertant Duos for 2 Violins, Op. 9 (1808) Violin Concerto No. 4 in B minor, Op. 10 (1805) Allegro moderato; Adagio; Rondo. Allegretto; String ...
Violin concerto No.1 (1986) David Van Vactor. Violin Concerto (1951) Pēteris Vasks. Violin Concerto 'Distant Light' (1996–97) Ralph Vaughan Williams. Violin Concerto in D minor, "Concerto Accademico" Carlos Veerhoff. Violin Concerto No.1 op.40 (1976) Violin Concerto No.2 op.69 (1992) Joseph Vella. Violin Concerto (1993) Francesco Maria Veracini
The Molitor Stradivarius is an antique violin made by Italian luthier Antonio Stradivari of Cremona in 1697, the very beginning of the maker's celebrated "Golden" period. [1] It bears the label "Antonius Stradivarius Cremonensis / Faciebat Anno 1697" and is branded to the lower rib, "Curtis Phila."
Eck, who completely retrained Spohr in violin technique, was a product of the Mannheim school, and Spohr became its most prominent heir. [7] Spohr's first notable compositions, including his Violin Concerto No. 1, date from this time. After his return home, the duke granted him leave to make a concert tour of North Germany.
Violin Concerto No.1, Op.26: Scores at the International Music Score Library Project; Potter, Tully (2016). Bruch: Violin Concerto Nº. 1 & other works (PDF) (CD). Hyperion Records. CDA68060. Steinberg, Michael. "BRUCH: Concerto No. 1 in G minor for Violin and Orchestra, Opus 26". San Francisco Symphony Orchestra. Archived from the original on ...
Unsuk Chin's Violin Concerto No. 1 was written in 2001 on a commission from the Deutsches Symphonie-Orchester Berlin, where she was then serving as composer-in-residence.. It was given its world premiere by the violinist Viviane Hagner and the Deutsches Symphonie-Orchester Berlin conducted by Kent Nagano at the Berliner Philharmonie on January 20, 2002.
Paganini intended the Concerto to be heard in E-flat major: the orchestral parts were written in E-flat, and the solo was written in D major with instructions for the violin to be tuned a semitone high, (a technique known as scordatura) enabling the soloist to achieve effects sounding in E-flat which would not be possible with normal tuning.
Presumably the Concertone was performed by the Salzburg court orchestra. Music with string solos was fashionable at the time, led by Mozart's employer Archbishop Colloredo, who himself played the violin. It was written before the 1775 violin concertos in Salzburg, and was first published in 1870 in Leipzig by August Cranz Hofmeister.