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Tsujigahana is a variety of kimono created by the technique of shibori. The extravagant patterns were rather more picturesque and it was more eye-catching than other ordinary kinds of kimono. Tsujigahana technique is in a shroud of mystery as it is not clearly known who invented it or why it was called Tsujigahana. The technique lasted for two ...
A section of kumo shibori (spider shibori) dyed with indigo, next to kumo shibori that has not been dyed yet. Shibori (しぼり/絞り, from the verb root shiboru – "to wring, squeeze or press" [1]: 7 ) is a Japanese manual tie-dyeing technique, which produces a number of different patterns on fabric.
Tritik, or stitch resist, is a resist dyeing technique in which a line of stitches is gathered tightly before dyeing, creating a negative design in the dyed fabric. [1] It is similar to the Japanese resist technique shibori. Traditionally two hand stitches are used for tritik: running stitch and whip stitch. [2]
It can be tied in a variety of different ways, and is commonly dyed using the shibori – typically the kanoko shibori – dye technique. Obidome (帯留, "sash clip") [25] is a small, decorative brooch fastened onto the obijime at the front, commonly made from precious metals and gemstones.
Batik, created using the technique of wax-resist dyeing originated from Indonesia. Resist dyeing ( resist-dyeing ) is a traditional method of dyeing textiles with patterns. Methods are used to " resist " or prevent the dye from reaching all the cloth, thereby creating a pattern and ground.
Therefore, the pattern only appears as the weaving proceeds. Weft ikats are much slower to weave than warp ikat because the weft yarns must be carefully adjusted after each passing of the shuttle to maintain the clarity of the design. Double ikat is a technique in which both warp and the weft are resist-dyed prior to weaving. Obviously it is ...
Batik is a dyeing technique using wax resist.The term is also used to describe patterned textiles created with that technique. Batik is made by drawing or stamping wax on a cloth to prevent colour absorption during the dyeing process.
Unlike many of the colorful cloth patterns in Mindanao, T'nalak is distinctive in using only three different colors - black, white, and red. [1] Black serves as the background color, and is the dominant color of the cloth, while white is used to create different motifs. Red is typically used to accentuate the patterns. [1]