Search results
Results from the WOW.Com Content Network
Original file (862 × 1,264 pixels, file size: 7.68 MB, MIME type: application/pdf, 67 pages) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
Tresillo (/ t r ɛ ˈ s iː j oʊ / tres-EE-yoh; Spanish pronunciation: [tɾeˈsiʎo]) is a rhythmic pattern (shown below) [1] [2] used in Latin American music. It is a more basic form of the rhythmic figure known as the habanera .
Rumba clave is the key pattern used in Cuban rumba. The use of the triple-pulse form of the rumba clave in Cuba can be traced back to the iron bell ( ekón ) part in abakuá music. The form of rumba known as columbia is culturally and musically connected with abakuá which is an Afro Cuban cabildo that descends from the Kalabari of Cameroon.
The clave rhythmic pattern is used as a tool for temporal organization in Afro-Cuban music, such as rumba, conga de comparsa, son, mambo (music), salsa, Latin jazz, songo and timba. The five-stroke clave pattern (distributed in groups of 3 + 2 or 2 + 3 beats) represents the structural core of many Afro-Cuban rhythms. [99]
The rhythm is a modified tresillo rhythm with eight beats grouped into a repeating pattern of 3+3+2. [5] Unlike traditional flamenco, rumbas may be played in any key, major, minor and modal . [ 5 ] At approx. 100-120bpm, the tempo of rumba flamenca is slower than other more traditional flamenco styles such as bulerías and fandangos .
Gavotte, Menuet, Polka, Siciliana, Bolero, Seguidilla, Tango, Rumba; Mimi Suite (1946) Mimi, Awakening, Incandescence, Obsession (harp or piano) Wedding Presents (1946–52) Garlanded Chimes, Vers l'Inconnu, In the Valley, In the Month of Maie, Shadow of a Shade, Idee-fixe, Desir, Interlude for the Theatre, Vision, Carol-Paul
The bolero-son: long-time favourite dance music in Cuba, captured abroad under the misnomer 'rumba'. The bolero-mambo in which slow and beautiful lyrics were added to the sophisticated big-band arrangements of the mambo. The bolero-cha, 1950s derivative with a chachachá rhythm. The bachata, a Dominican derivative developed in the 1960s.
Most salsa music is played with one of the son claves, though a rumba clave is occasionally used, especially during rumba sections of some songs. As an example of how a clave fits within the 8 beats of a salsa dance, the beats of the 2-3 Son clave are played on the counts of 2, 3, 5, the "and" of 6, and 8.