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Arranged and conducted by Tony Osborne, the Connie Francis version of the song was a number two hit in the UK, [9] and peaked at number eight on the Billboard Hot 100 chart. [10] The song in German (as well as in Dutch and in English) was recorded by Dutch child singer Heintje Simons for his album Heintje in 1967 (lyrics written by Bruno Balz ...
Charles Aznavour first recorded "La mamma" for a 1962 EP with his version serving as title cut for his 1963 album release. The first single release was by Les Compagnons de la chanson which reached #80 on the French charts in late 1963: the Aznavour version was then issued as a single to reach #1 in France in February 1964.
"Mamma Mia" is a song by the Swedish pop group ABBA, written by Benny Andersson, Björn Ulvaeus and Stig Anderson, with the lead vocals shared by Agnetha Fältskog and Anni-Frid Lyngstad. It is the opening track on the group's third album, the self-titled ABBA (1975).
Mamma Mia! (promoted as Benny Andersson & Björn Ulvaeus' Mamma Mia!) is a jukebox musical written by British playwright Catherine Johnson, based on songs recorded by Swedish group ABBA and composed by members Benny Andersson and Björn Ulvaeus. The musical's title is taken from the group's 1975 chart-topper "Mamma Mia".
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"Mamma Mia" , a third-season episode of the NBC television series 30 Rock "Mamma Mia" , a seventh-season episode of the American television series Frasier "Mamma Mia" (Supernatural), a twelfth-season episode of the American television series Supernatural; Mammamia!, an Italian television program; Mamma Mia, a Ghanaian film
The Pop-Tops and Joël Daydé both reached #1 on the French charts with "Mamy Blue" while the Nicoletta version rose as high as #4, affording the singer her career record. . Both the Pop-Tops and Daydé versions became concurrent major hits in several other territories including Belgium where the Pop-Tops and Dayde's versions reached #1 on respectively the Dutch and French chart with Pop-Tops ...
"Mama" is a song by the English rock band Genesis, released as the first single in 1983 from their self-titled album. It is recognisable for its harsh drum machine introduction composed by Mike Rutherford , which leads into minimalist synthesizer lines in a minor tonality and finally Phil Collins ' reverb -laden voice.