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Artists create these paintings using a variety of mediums, including their own fingers, or twigs, brushes, nib-pens, and matchsticks. The paint is created using natural dyes and pigments such as ochre and lampblack are used for reddish brown and black respectively. [3] The paintings are characterized by their eye-catching geometrical patterns.
Dyes for the cloth are obtained by extracting colours from various roots, leaves, and mineral salts of iron, tin, copper, and alum. [17] Various effects are obtained by using cow dung, seeds, plants and crushed flowers to obtain natural dye. Along with buffalo milk, myrobalan is used in kalamkari. Myrobalan is also used to remove the odd smell ...
Appalachian women used affordable and easily attainable raw materials, such as home-grown wool and flax or cotton purchased by the bale, to create their art. They colored their hand spun fibers with natural plant matter or purchased packaged dyes and also used bits of their home-woven fabric to piece quilts.
Korhogo is made by hand painting designs on hand woven and hand spun cotton fabric. The paintings are done using a specially fermented mud-based and natural vegetal pigment [2] that darkens over time, and designs are usually drawn on using a stencil. [3]
Itchiku Kubota Art Museum, Fujikawaguchiko, Yamanashi. Itchiku Kubota (久保田 一竹, Kubota Itchiku) (1917–2003) was a Japanese textile artist. He was most famous for reviving and in part reinventing an otherwise lost late 15th- to early 16th-century textile dye technique known as tsujigahana (lit. "flowers at the crossroads"), which became the main focus for much of his life's work.
Natural dyes also take longer to produce deep shades of colour, extending the dyeing process. [40] Synthetic dyes greatly simplify the process, but produce chemical waste that may be harmful for the environment. Eco-friendliness is one reason some batik producers opt to use natural dyes, despite the availability of synthetic alternatives. [41 ...
Other natural dyes include Morinda brimstone tree for yellow, white from kaolin clay, black from charcoal or black clay, brown from mud, and red from Camwood. Some dyes like camwood need to be heated before use. The camwood is grated into a powder, then boiled before adding the fiber to be dyed. However, other dyes like the Kola nut do not need ...
In their natural state, the quills are pale yellow to white with black tips. The tips are usually snipped off before use. Quills readily take dye, which originally was derived from local plants and included a wide spectrum of colors, with black, yellow, and red being the most common.
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