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"Mutability" is a poem by Percy Bysshe Shelley which appeared in the 1816 collection Alastor, or The Spirit of Solitude: And Other Poems. Half of the poem is quoted in his wife Mary Shelley 's novel Frankenstein; or, The Modern Prometheus (1818) although his authorship is not acknowledged, while the 1816 poem by Leigh Hunt is acknowledged with ...
Book Second: School-time (continued) 1799–1805 "Thus far, O Friend! have we, though leaving much" The Prelude or, Growth of a Poet's Mind: Advertisement: 1850 Book Third: Residence at Cambridge 1799–1805 "It was a dreary morning when the wheels" The Prelude or, Growth of a Poet's Mind: Advertisement: 1850 Book Fourth: Summer Vacation 1799 ...
The work was first published in London in 1816 (see 1816 in poetry) under the title Alastor; or, The Spirit of Solitude: And Other Poems, printed for Baldwin, Cradock and Joy, Pater-Noster Row; and Carpenter and Son, Old Bond-Street: by S. Hamilton, Weybridge, Surrey, consisting of the title poem and the following additional poems:
The Philosophy of the Beautiful (two volumes, 1891–93) The Christian Ethic (1894) Aspects of Theism (1894) The Transactions of the Wordsworth Society (1880–86) Selections from Wordsworth (1889) Wordsworthiana (1889) Through the Wordsworth Country (1892) Wordsworth's Prose (1893) The English Lake District, as Interpreted in the Poems of ...
"Hymn to Intellectual Beauty" is an 84-line ode that was influenced by Jean-Jacques Rousseau's novel of sensibility Julie, or the New Heloise and William Wordsworth's "Ode: Intimations of Immortality". Although the theme of the ode, glory's departure, is shared with Wordsworth's ode, Shelley holds a differing view of nature: [3]
[3] [4] In it, Wordsworth aimed to use everyday language in his compositions [5] as set out in the preface to the 1802 edition: "The principal object, then, proposed in these Poems was to choose incidents and situations from common life, and to relate or describe them, throughout, as far as was possible in a selection of language really used by ...
Book XIX of this, the main locus of Augustine's normative political thought, is focused on the question, 'Is the good life social?' In other words, 'Is human wellbeing found in the good of the whole society, the common good?' Chapters 5–17 of Book XIX address this question. Augustine's emphatic answer is yes (see start of chap. 5).
The bulk of the book is devoted to close reading of poems by John Donne, Shakespeare, Milton, Alexander Pope, William Wordsworth, Keats, Lord Tennyson, Yeats, Thomas Gray, and T. S. Eliot. In The Well Wrought Urn, theory illuminates practice and vice versa. The poems are meant to be "the concrete examples on which generalizations are to be based".
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