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Satellite photograph of a mesa in the Cydonia region of Mars, often called the "Face on Mars" and cited as evidence of extraterrestrial habitation. Pareidolia (/ ˌ p ær ɪ ˈ d oʊ l i ə, ˌ p ɛər-/; [1] also US: / ˌ p ɛər aɪ-/) [2] is the tendency for perception to impose a meaningful interpretation on a nebulous stimulus, usually visual, so that one detects an object, pattern, or ...
The Hering illusion (1861): When two straight and parallel lines are presented in front of radial background (like the spokes of a bicycle), the lines appear as if they were bowed outwards. Hollow-Face illusion: The Hollow-Face illusion is an optical illusion in which the perception of a concave mask of a face appears as a normal convex face.
The philosopher Barry C. Smith compared the phenomenon with Ludwig Wittgenstein and the rabbit–duck illusion, [41] although the rabbit-duck illusion is an ambiguous image where, for most people, the alternative perceptions switch very easily.
Stroboscopic images is where a series of static images are viewed in sequence at a high enough rate that the static images appear to blend into a continuous motion. An example of this is a motion picture. Optical art (or Op art.) is when artists use simple black and white patterns that create vivid illusions of motion, which are known as ...
Ambiguous illusions are pictures or objects that elicit a perceptual "switch" between the alternative interpretations. The Necker cube is a well-known example; other instances are the Rubin vase and the "squircle", based on Kokichi Sugihara 's ambiguous cylinder illusion.
People often see hidden faces in things. Depending on the circumstances, this is referred to as pareidolia, the perception or recognition of a specific pattern or form in something essentially different. It is thus also a kind of optical illusion. When an artist notices that two different things have a similar appearance, and draws or paints a ...
He supported his explanation by showing flat, two-dimensional pictures with such horizontal differences, stereograms, separately to the left and right eyes through a stereoscope he invented based on mirrors. From such pairs of flat images, people experienced the illusion of depth. [3] [4] In 1844, David Brewster discovered the "wallpaper effect ...
Research has shown that people that are more creative in their imagery are better able to resolve ambiguous images. This may be due to their ability to quickly identify patterns in the image. [ 13 ] When making a mental representation of an ambiguous image, in the same way as normal images, each part is defined and then put onto the mental ...