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Post-mortem photography was particularly popular in Victorian Britain. [23] From 1860 to 1910, these post-mortem portraits were much like American portraits in style, focusing on the deceased either displayed as asleep or with the family; often these images were placed in family albums. [ 4 ]
In the 19th century post-mortem photography continued the tradition. Recent research on deathbed portraits, which can be found also in prints and photographs up to today, shows that they became popular after the Protestant Reformation but were never treasured as family heirlooms in the same way as other artworks and thus relatively few early ...
Known as one of the world’s most important repositories of early medical history, [2] images of “the darker side of life” make up the collection: [4] anatomical and medical oddities, memorial and post-mortem photography, and original historic photographs depicting death, disease, disaster, crime, racism, revolution, riots, and war. [4]
English: Posthumous photograph of Prince Albert, the Prince Consort lying on his death bed in the Blue Room, Windsor Castle. Commissioned by Queen Victoria and taken from left side profile, it shows the Prince's body covered by bed sheets and with a bandage wrapped around his head supporting his lower jaw.
However, these dating methods are not always 100% accurate, since a Victorian photographer may have been using up old card stock, or the cabinet card may have been a re-print made many years after the photo was originally recorded. [5] Card stock. 1866–1880: square, lightweight mount; 1880–1890: square, heavy weight card stock; 1890s ...
[n 7] Phillips's official post-mortem documents state: The body was lying on the near side, with the face turned toward the wall, the head up the yard and the feet toward the street. The left arm was extended and there was a packet of cachous in the left hand. ... The right arm was over the belly; the back of the hand and wrist had on it ...
Catherine Eddowes (14 April 1842 – 30 September 1888) was the fourth of the canonical five victims of the notorious unidentified serial killer known as Jack the Ripper, who is believed to have killed and mutilated a minimum of five women in the Whitechapel and Spitalfields districts of London from late August to early November 1888.
Mary Jane Kelly (c. 1863 – 9 November 1888), also known as Marie Jeanette Kelly, Fair Emma, Ginger, Dark Mary and Black Mary, is widely believed by scholars to have been the final victim of the notorious unidentified serial killer Jack the Ripper, who murdered at least five women in the Whitechapel and Spitalfields districts of London from late August to early November 1888.
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