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Born in Eagle City, Oklahoma, Lewis played early in his career in Kansas City, Missouri, with Jerry Westbrook as a baritone hornist, then switched to trumpet in 1925.He played with Paul Banks and Laura Rucker before joining the Bennie Moten Orchestra, where he played from 1926 to 1932 and was the primary trumpet soloist until Hot Lips Page became a member.
The personnel on the recording were Nick LaRocca, trumpet, Larry Shields, clarinet, Benny Krueger, alto sax, Eddie Edwards, trombone, J. Russel Robinson, piano, and Tony Sbarbaro, drums. The recording was made on December 1, 1920. Robinson and Conrad composed the music. Lewis and Young wrote the lyrics.
Leonel Kaplan – trumpet; Basil Kirchin – drums; Peter Kowald – double bass; Savina Yannatou – voice; Caroline Kraabel – saxophone; Steve Lacy – saxophone; Kathryn Ladano – bass clarinet; Yuri Landman – string instruments; Jeanne Lee – voice; Thomas Lehn – synthesizer; George E. Lewis – trombone, electronics; Joelle Leandre ...
The Olympics are an American doo-wop group, formed in 1957 by lead singer Walter Ward (August 28, 1940 – December 11, 2006). The group also included Eddie Lewis (tenor, Ward's cousin), Charles Fizer (tenor), Walter Hammond (), and Melvin King ().
Lewis Michael Soloff [1] (February 20, 1944 – March 8, 2015) [2] was an American jazz trumpeter, composer, and actor. He was a founding member of the band Blood, Sweat & Tears . Biography
Conte Candoli; Pete Candoli; Andre Canniere; Mutt Carey; Johnny Carisi; Ian Carr; Baikida Carroll; Ernie Carson; Benny Carter; Dick Cary; Lee Castle; Bill Catalano
Karen Bernod, Some Othaness for U (Natively Creative Music, 2000) Karen Bernod, Life at 360 Degrees (Dome, 2006) Cyrus Chestnut, Earth Stories (Atlantic, 1996) Joseph Daley, The Seven Deadly Sins (Jaro Medien, 2010) Teddy Edwards, Ladies Man (HighNote, 2001) Marty Ehrlich, The Long View (Enja, 2002) Marty Ehrlich, A Trumpet in the Morning (New ...
Clint's studies are specialized on trumpet and brass embouchure, he was the first person to explain the "Aperture Tunnel". [2] [10] In his book "How the Chops Work" Clint explains how the vibrations affect the pitch; arguing that not only the length, but also the thickness and height affect it. Mr. McLaughlin also explains how adjusting the aperture tunnel when playing can increase a players ...