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This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
The tune is a jazz standard that has been widely recorded, both by vocal artists from Billie Holiday and Tony Bennett to the Miracles and Dee Dee Bridgewater, and such instrumentalists as James Moody, [1] Chet Baker, Gerry Mulligan, Bill Evans, Sonny Clark with Donald Byrd and John Coltrane, Roy Hargrove, Coleman Hawkins, Woody Shaw, Bobby Shew ...
A performance at the Jazz in Duketown festival in 2019, located at 's-Hertogenbosch, North Brabant, Netherlands. Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries, with its roots in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music.
The song has been recorded by a number of artists since its first publication, including Frankie Trumbauer and His Orchestra with Bix Beiderbecke and Bing Crosby, Dinah Shore, Si Zentner and his Orchestra and the Johnny Mann Singers, the Charleston Chasers, the Louisiana Rhythm Kings, Kid Ory's Creole Jazz Band, Dean Martin, Bobby Darin and Johnny Mercer with Billy May and His Orchestra, Edyie ...
Smith's recording with her Jazz Hounds has been called the earliest genuine jazz recording by a black ensemble. [110] Bix Beiderbecke recorded an influential version in 1927. [109] Darius Milhaud used the song in his ballet La création du monde. [111] 1919 – "Someday Sweetheart". [112] Jazz song credited to John Spikes. [113]
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries, with its roots in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music.
"Valentine" addresses Laufey's experiences and continuous reflection of her first love. [4]The song's genre has been described as 50s traditional pop and classical jazz due to its jazz vocals and scat singing, as well as guitar and piano instrumentation joined by light percussion played with a drum brush.
An instrumental version of the song was used in the 1933 film Baby Face starring Barbara Stanwyck. In 1958, Little Richard peaked at No. 12 on the R&B chart and No. 41 on the pop chart with his version of the song. [3] It also reached No. 2 in the UK in January 1959, becoming Little Richard's highest-charting single in the United Kingdom.