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Dresden sits on the Elbe river, providing a quiet environment for Rachmaninoff (1900) Piano Sonata No. 1 in D minor, Op. 28, is a piano sonata by Sergei Rachmaninoff, completed in 1908. [1] It is the first of three "Dresden pieces", along with the Symphony No. 2 and part of an opera, which were composed in the quiet city of Dresden, Germany. [2]
In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
Domenico Scarlatti: The Keyboard Sonatas – Lists at Classical.net, sorted by Longo, Kirkpatrick or Pestelli numbers or key, time signature; Scarlatti Domenico: Catalogue; lists original sources for more than 600 keyboard sonatas including many not listed in this article; newly discovered ones and doubtful ones; other lists such as Fadini's edition.
The second movement is in ternary form (or sonata form without development [4]).It opens with a highly ornamented lyrical theme in 3 4 time in F major (mm. 1–16). This is followed by a more agitated, 5-measure transitional passage in D minor (mm. 17–22) accompanied by quiet parallel thirds, followed by a passage full of thirty-second notes in C major (mm. 23–31). [4]
For instance, the first piece of the cycle is a canon of gestures. (2008) "I Predict Some Quiet" by the Kaiser Chiefs (2005) "In Remembrance" by Pan.Thy.Monium on Khaooohs and Kon-Fus-Ion (1996) "[intermission]" by Titus Andronicus (band) on The Most Lamentable Tragedy (2015) "Intentionally Left Blank" by James Holden (in The Idiots Are Winning ...
Franz Liszt: one for solo piano entitled En rêve ('In a dream' or 'While dreaming'), another for solo piano entitled Pensées ('Thoughts'), plus his collection of three Liebesträume (Love Dreams), a series of three Notturnos, of which no.3 is the most famous, Les cloches de Genève: Nocturne (The Bells of Geneva: Nocturne) in B major
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The first of Haydn’s keyboard works to be conceived with the dynamic contrasts only possible with a touch sensitive keyboard e.g. clavichord or fortepiano rather than harpsichord. Published 1780 in Vienna by Artaria as one of a set of 6 sonatas dedicated to Katherina & Marianna Auenbrugger 34: 33: D major: 1773
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