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Adagietto – slower than andante or slightly faster than adagio (46–80 bpm) Lento – slow (52–108 bpm) Andante – at a walking pace, moderately slow (56–108 bpm) Andantino – slightly faster than andante, but slower than moderato (80–108 bpm) (although, in some cases, it can be taken to mean slightly slower than andante)
Andante; Allegro non troppo — Epilogue: Andantino; Op. 55: Symphony No. 3 in A major (1925–26); fp. 8 April 1926, Madetoja and Helsinki PO [9] [10] Andantino—Allegretto; Adagio; Allegro non troppo; Pesante, tempo moderato—Allegretto (Lost): Symphony No. 4 (1930–38); reportedly lost in 1938 at a Paris railway station when Madetoja's ...
Less of a walking pace than andante (so slightly quicker) A tempo: to time: Return to previous tempo Fermata: held, stopped, orig. Latin firmo "make firm, fortify" Holding or sustaining a note Grave: grave, solemn: Slow and solemn tempo (slower than largo) Largo: broad: Slow and dignified tempo Largamente: broadly: Slow and dignified tempo ...
andante At a walking pace (i.e. at a moderate tempo) andantino Slightly faster than andante (but earlier it is sometimes used to mean slightly slower than andante) ängstlich (Ger.) Anxiously anima Soul; con anima: with feeling animandosi Progressively more animated animato Animated, lively antiphon
Andante—Andante molto tranquillo Watchman's Songs ( Väktarsånger ), for baritone, male chorus, and orchestra (Op. 25, 1940); text by Karl Ragnar Gierow [1] Voices from Skansen ( Röster från Skansen ), lyric suite for narrator, baritone, chorus, and orchestra (Op. 26, 1941) [ citation needed ]
No.1 Moderato - Allegro moderato - con fuoco - Tempo I° No.2 Andante - Agitato e vigoroso - Tempo I° - Adagio; No.3 Allegro moderato; No.4 Tempo di Saltarella, ma non troppo vivo; Book II (5-8): No.5 Praeludium. Allegretto scherzando; No.6 Andante ma non troppo - Presto - Allegro non troppo; No.7 Andante non troppo; No.8 Allegro risoluto ...
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
The song was composed in B-flat major and possesses an andante tempo. In the 14 Bis version, Venturini sings falsettos and the chorus, while Russo sings the remaining verses with a natural voice. On the clip version, however, Venturini sings the entire song alone. [4] On Russo's solo version, he sings alone.