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It is the job of classical Hollywood cinema to get the audience lost and absorbed into the story of the film, so that the film is pleasurable. In contrast the task of European art cinema is to be ambiguous, utilizing an open-ended (and sometimes intertextual ) plot, causing the audience to ask questions themselves whilst introducing an element ...
Mark Klett: Saguaros by Gregory McNamee and Mark Klett. Radius Books, 2007. ISBN 1-934435-00-7. The Half Life of History, with William Fox. Radius Books, 2011. ISBN 978-1934435397; Reconstructing the View, the Grand Canyon Photographs of Mark Klett and Byron Wolfe, with Byron Wolfe, Rebecca A. Senf, Stephen J. Pyne. University of California ...
Film d'art (French for "art film") was an influential film movement or genre that developed in France prior to World War I and began with the release of L'Assassinat du duc de Guise (1908), directed by Charles Le Bargy and André Calmettes of the Comédie Française for the Société Film d'Art, a company formed to adapt prestigious theatre plays starring famous performers to the screen. [1]
Art History is a 2011 American drama film directed by Joe Swanberg, written by Swanberg, Josephine Decker, and Kent Osborne. It stars Decker, Swanberg, Osborne, Adam Wingard , and Kris Swanberg as filmmakers whose lives are complicated by a graphic sex scene in an arthouse film.
[7] Glenn Kenny of The New York Times in a NYT Critics' Pick called it a "thrilling documentary," writing "The film’s generous views of spectacular works like Smithson’s monumental (Spiral Jetty) (the work projects into the Great Salt Lake in Utah) and Mr. Heizer’s (Double Negative) in Nevada (a huge trench bisected by a canyon) are best ...
The Art of Love is a 1965 technicolor comedy film directed by Norman Jewison and starring James Garner, Dick Van Dyke, Elke Sommer, and Angie Dickinson.. The film involves an American artist in Paris (Van Dyke) who fakes his own death in order to increase the worth of his paintings (new paintings keep "posthumously" hitting the market).
Visions of Light (also known as Visions of Light: The Art of Cinematography) [1] is a 1992 documentary film directed by Arnold Glassman, Todd McCarthy and Stuart Samuels. The film covers the art of cinematography since the conception of cinema at the turn of the 20th century.