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Pages in category "Singers with a three-octave vocal range" The following 51 pages are in this category, out of 51 total. This list may not reflect recent changes. B.
Successful non-classical baritones display a wide range of vocal qualities and effects that lend a unique character to their voices, many of which are considered undesirable in the operatic or classical baritone singer, such as "breathy" , [3] "distinguished…crooner" , [4] "growling" (Neil Diamond), [5] and even "ragged" (Bruce Springsteen).
Lisa Germaine Gerrard (/ dʒ ə ˈ r ɑːr d / jə-RARD; born 12 April 1961) is an Australian musician, singer and composer and member of the group Dead Can Dance with music partner Brendan Perry. She is known for her unique singing style technique (glossolalia). She has a dramatic contralto voice and has a vocal range of three octaves.
Andrea Bocelli OMRI OMDSM (Italian: [anˈdrɛːa boˈtʃɛlli]; born 22 September 1958) [1] is an Italian tenor.After performing evenings in piano bars and competing in local singing contests, Bocelli signed his first recording contract with Sugar Music.
Sharon Janny den Adel (born 12 July 1974) is a Dutch singer who is the lead vocalist of the symphonic metal band Within Temptation.She has been performing since age 14, and co-founded Within Temptation with partner Robert Westerholt in 1996.
Perry released a 10-track studio album, Traces, on October 5, 2018. [38] [39] A US Deluxe Edition was released at Target and has five bonus tracks. [40] Perry has described the album as a "cathartic" and "emotional expression" about the loss of a loved one. The record is Perry's third studio work and his first since For the Love of Strange ...
The low extreme for tenors is roughly A 2 (two octaves below middle C). At the highest extreme, some tenors can sing up to F one octave above middle C (F 5). [1] The term tenor was developed in relation to classical and operatic voices, where the classification is based not merely on the singer's vocal range but also on the tessitura and timbre ...
The opening theme of the last movement of Mozart's Piano Concerto No. 24 is played throughout by the violins, but selected phrases are doubled, firstly by the flute playing an octave above; followed by the bassoon an octave below. Finally the violin is joined by both oboe and bassoon together, creating a doubling spanning three octaves: