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2. The Virtuoso Pianist in 60 Exercises - Wikipedia

   en.wikipedia.org/wiki/The_Virtuoso_Pianist_in_60...

   Hao Huang believes that "Hanon, Schmitt or Czerny have been useful for beginning pianists, affording variety as an alternative to endless practicing of scales and arpeggios" but warns against "the idea of technical exercises as panacea": There is nothing more dulling than hours spent mindlessly going over finger patterns.

3. Klavierübung (Busoni) - Wikipedia

   en.wikipedia.org/wiki/Klavierübung_(Busoni)

   The Klavierübung (Piano Tutorial, BV A 3), by the Italian pianist-composer Ferruccio Busoni, is a compilation of piano exercises and practice pieces, comprising transcriptions of works by other composers and original compositions of his own.

4. Arpeggio - Wikipedia

   en.wikipedia.org/wiki/Arpeggio

   A series of arpeggios in J. S. Bach's Jesu, Joy of Man's Desiring "The Star-Spangled Banner" opens with an arpeggio. [1] Arpeggios open Beethoven's Moonlight Sonata and continue as accompaniment An arpeggio ( Italian: [arˈpeddʒo] ) is a type of broken chord in which the notes that compose a chord are individually sounded in a progressive ...

5. Three-hand effect - Wikipedia

   en.wikipedia.org/wiki/Three-hand_effect

   The three-hand effect (or three-hand technique) is a means of playing on the piano with only two hands, but producing the impression that one is using three hands. Typically this effect is produced by keeping the melody in the middle register, with accompanying arpeggios in the treble and bass registers. [1]

6. AOL Video - Serving the best video content from AOL and ...

   www.aol.com/video/view/how-to-play-basic...

   The AOL.com video experience serves up the best video content from AOL and around the web, curating informative and entertaining snackable videos.

7. Étude Op. 10, No. 1 (Chopin) - Wikipedia

   en.wikipedia.org/wiki/Étude_Op._10,_No._1_(Chopin)

   Étude Op. 10, No. 1 in C major is a study for solo piano composed by Frédéric Chopin in 1829. It was first published in 1833 in France, [1] Germany, [2] and England [3] as the first piece of his Études Op. 10. This study in reach and arpeggios focuses on stretching the fingers of the right hand.