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Figure–ground perception can be expanded from visual perception to include non-visual concepts such as melody/harmony, subject/background and positive/negative space. [citation needed] The concept of figure and ground fully depends on the observer and not on the item itself. [24]
Figure and ground (media), a concept developed by media theorist Marshall McLuhan; Figure–ground (perception), referring to humans' ability to separate foreground from background in visual images. Figure-ground perception is one of the main issues in gestalt psychology. Figure-ground in map design, the ability to easily discriminate the main ...
These types of stimuli are both interesting and useful because they provide an excellent and intuitive demonstration of the figure–ground distinction the brain makes during visual perception. Rubin's figure–ground distinction, since it involved higher-level cognitive pattern matching, in which the overall picture determines its mental ...
Figure-ground (perception) Filling-in: Flash lag illusion: Forced perspective: Application used in film and architecture to create the illusion of larger, more distant objects. Fraser spiral illusion: The Fraser spiral illusion, or false spiral, or the twisted cord illusion, was first described by the British psychologist Sir James Fraser in ...
He began to use the terms figure and ground as a way "to describe the parts of a situation" [1] and "to help explain his ideas about media and human communication." [1] The concept was later employed to explain how a communications technology, the medium or figure, necessarily operates through its context, or ground.
Figure 1 - containment image schema. An image schema (both schemas and schemata are used as plural forms) is a recurring structure within our cognitive processes which establishes patterns of understanding and reasoning.
Kelly and Grossberg (2000, P&P, 62, 1596-1619) explain and simulate these perceived differences and various other surface brightness and figure-ground percepts, such as those arising from Bregman-Kanizsa, Benary cross, and checkerboard displays, using the FACADE theory of 3-D vision and figure-ground perception.
In a figure / ground ambigram, letters fit together so the negative space around and between one word spells another word. [42] In Gestalt psychology, figure–ground perception is known as identifying a figure from the background. For example, black words on a printed paper are seen as the "figure", and the white sheet as the "background".