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"Fire and Rain" is a song written and performed by American singer-songwriter James Taylor, released in August 1970 by Warner Bros. Records as the second single from Taylor's second studio album, Sweet Baby James. The song follows Taylor's reaction to the suicide of Suzanne Schnerr, a childhood friend, and his experiences with drug addiction ...
The "Grade" column specifies the grade in which the kanji is taught in Elementary schools in Japan. Grade "S" means that it is taught in secondary school . The list is sorted by Japanese reading ( on'yomi in katakana , then kun'yomi in hiragana ), in accordance with the ordering in the official Jōyō table.
Only one of his poetry anthologies, Yagi no Uta (山羊の歌, "Goat Songs", 1934) was published while he was alive (in a self-financed edition of two hundred copies). He edited a second collection, Arishi Hi no Uta (在りし日の歌, "Songs of Bygone Days", 1938) just before his death. During his lifetime, Nakahara was not counted among the ...
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"Rain" is a song by Japanese pop band Sekai no Owari. It was released as the band's eleventh major label single on July 5, 2017, under Toy's Factory . The song was used as the theme song for the animated film Mary and the Witch's Flower (2017).
Sculpture of Raijin from Sanjūsangen-dō temple in Kyoto. Kamakura period, 13th century. Raijin (雷神, lit. "Thunder God"), also known as Kaminari-sama (雷様), Raiden-sama (雷電様), Narukami (鳴る神), Raikou (雷公), and Kamowakeikazuchi-no-kami is a god of lightning, thunder, and storms in Japanese mythology and the Shinto religion. [1]
The word iroha (イロハ, often in katakana) itself can mean "the basics" in Japanese, comparable to the term "the ABCs" in English. Similarly, Iroha no i (イロハのイ) means "the most basic element of all". I no ichiban (いの一番, "number one of i") means "the very first".
Yumi Matsutoya (松任谷 由実, Matsutōya Yumi, born January 19, 1954), nicknamed Yuming (ユーミン, Yūmin), [1] is a Japanese singer, composer, lyricist and pianist. . Generally the writer of both the lyrics and the music in her songs, [2] she is renowned for her idiosyncratic voice and live performances, and is one of the most prominent figures in the history of Japanese popular mus