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Cakalele dance (pronounced "cha-ka-leh-leh", spelled tjakalele by the Dutch) is a war dance from North and Central Maluku in Indonesia. [1] Hybrid versions also exist among the natives of Sulawesi (Kabasaran dance or Sakalele of the Minahasan), [2] East Nusa Tenggara (Abui Cakalele from Alor), [3] the Tanimbar Islands, [citation needed] and Fakfak ( Mbaham-Matta's Cakalele Mbreh). [4]
Jaipongan Mojang Priangan dance. Sundanese dances (Indonesian: Tarian Sunda) is a dance tradition that is a part of ritual, artistic expression as well as entertainment and social conduct among the Sundanese people of West Java and Banten, Indonesia.
Gending Sriwijaya is the name of the traditional performance whether it is a song, music, as well as dance that originated from Palembang, South Sumatra, Indonesia.Both of the song and the dance was created to describes the splendor, cultural refinement, glory and the grandeur of Srivijaya empire that once succeed on unifying the western parts of Indonesian archipelago and Malay world generally.
Papuan tumbu tanah dance. Prior to their contact with the outer world the people of the Indonesian archipelago had already developed their own styles of dancing, still somewhat preserved by those who resist outside influences and choose tribal life in the interior of Sumatra (example: Batak, Nias, Mentawai), of Kalimantan/Borneo (example: Dayak, Punan, Iban), of Java (example: Baduy), of ...
Payung dance (Minangkabau: tari Payuang; Jawi: تاري ڤايوڠ) is a folk dance-drama tradition of the Minangkabau-Malay ethnic group [1] in Sumatra, Indonesia.This dance is a Minangkabau version of other Malay dances from Sumatra.
[9] [10] Ngajat Semain [nga-jat sē-ma-yiēn] Ngajat Berayah [nga-jat bē-ra-yæh] Ngajat Pua Kumbu [nga-jat pu-waq kum-bouq]: Usually performed by women. As this dance is called Pua kumbu, the dancers would dance while carrying Pua kumbu (Iban floral fabric) as a tool in their performance. This dance is usually performed during Gawai Kelingkang.
[10] The literary renaissance of Java in the 18th and 19th centuries, which greatly changed Javanese music, had as one of its first effects the creation of genres of gendhing to accompany bedhaya and serimpi, known as gendhing kemanak and gendhing bedhaya-serimpi. The former were based on a newly composed choral melody, while the latter fitted ...
Saman (or the dance of a thousand hands) is one of the most popular dances in Indonesia.Its origin is from the Gayo ethnic group from Gayo Lues, Aceh province, Indonesia, and is normally performed to celebrate important occasions. [1]