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The hime cut is high maintenance for those without naturally straight hair, and requires frequent touch-ups on the sidelocks and front bangs in order to maintain its shape. Hair straightening is sometimes used to achieve the hairstyle's straight appearance, as well as straightening irons and specially formulated shampoos for straight hair ...
During the 1970s, Japan had the second largest music market in the world. [5] 1970s Japanese music included kayōkyoku, idols, new music, rock and enka.Musical artists in the 1970s included, in particular, Momoe Yamaguchi, Saori Minami, the Candies, Pink Lady, Hiromi Go, Hideki Saijo, Yuming, Saki Kubota, Judy Ongg and Sachiko Kobayashi.
Music portal; Japan portal; 1970s portal; Topics specifically related to the decade 1970s in the music of Japan, i.e. in the years 1970 to 1979. 1920s; 1930s; 1940s ...
The cosplayer in yellow has a punch perm. A punch perm (パンチパーマ, panchi pāma) is a type of tightly permed male hairstyle in Japan. From the 1970s until the mid-1990s, it was popular among yakuza, chinpira (low-level criminals), bōsōzoku (motorcycle gang members), truck drivers, construction workers, and enka singers.
The following list indicates the best-selling albums from 1970 to 1979 on the Japanese Oricon chart. [1] It is based on cumulative sales figures of two formats (on vinyl, and audio cassette). Albums
Seiko-chan cut (聖子ちゃんカット) is a popular name for a kind of feathered hairstyle, named after and popularized by Japanese pop singer and idol Seiko Matsuda, although the hairstyle itself predated Matsuda's debut. The hairstyle was popular among young Japanese women in the 80s.
This list tries to include all artists/bands from all genres originating from Japan. This list does not include artists/bands who perform in Japanese but are of different origin. Contents:
Shibuya-kei (Japanese: 渋谷系, lit. "Shibuya style") is a microgenre [7] of pop music [1] or a general aesthetic [8] that flourished in Japan in the mid-to-late 1990s. [3] The music genre is distinguished by a "cut-and-paste" approach that was inspired by the kitsch, fusion, and artifice from certain music styles of the past. [9]