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Instrumental music such as sitar or violin is recognized as more effective in inducing sleep than vocal music. [26] Although lyric gives depth and meaning to the music, it also stimulates cognitive processes, making it more difficult to fall asleep.
"Treasure Chest" – Stories and Songs: The Adventures of Captain Feathersword the Friendly Pirate "Trick or Treat" – Pumpkin Face "Turkey in the Straw" – You Make Me Feel Like Dancing "Twinkle Twinkle Little Star" – Pop Go the Wiggles "Two Little Dickie Birds" – You Make Me Feel Like Dancing "Uncle Noah's Ark" – Here Comes a Song
A lullaby (/ ˈ l ʌ l ə b aɪ /), or a cradle song, is a soothing song or piece of music that is usually played for (or sung to) children (for adults see music and sleep). The purposes of lullabies vary. In some societies, they are used to pass down cultural knowledge or tradition.
A 3-year-old's original song, "Dinosaurs in Love," is breaking people's hearts all over the world. Her dad, singer-songwriter Tom Rosenthal often encourages his daughter, Fenn, and her older ...
More Baby Songs (1987) Turn On The Music (January 17, 1989) Even More Baby Songs (1990) Baby Songs Presents: John Lithgow's Kid Size Concert (1990) Baby Songs Presents: Baby Rock (1991) Baby Songs: Christmas (1991) Baby Songs Presents: Follow Along Songs (1992) Baby Songs Presents: Sing Together (1992) Baby Songs: Good Night (January 26, 1999)
List of instrumental compositions composed or arranged and recorded by Tale Ognenovski; List of instrumental number ones on the UK singles chart; Livery Stable Blues; The Lonely Shepherd; Long Gone (instrumental) Longplayer; Lost Boy Blues; Love Scene (Version 4) Love Scene (Version 6) Lunar (song)
On this children's album, Pete Seeger devotes himself to putting small children to sleep, first by telling them stories, then by singing to them. The LP's first side contains two stories with music. Side two features child-oriented songs, concluding with the a cappella song "One Grain of Sand." [2] The album was recorded by Moses Asch.
The 9:37 song, the fourth and final track of the album, was Rush's first entirely instrumental piece. The multi-part piece was inspired by a dream guitarist Alex Lifeson had, and the music in these sections correspond to the occurrences in his dream. The opening segment was played on a nylon-string classical guitar.
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