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A major triad has a major third (M3) on the bottom, a minor third (m3) on top, and a perfect fifth (P5) between the outer notes. In harmonic analysis and on lead sheets, a C major chord can be notated as C, CM, CΔ, or Cmaj. A major triad is represented by the integer notation {0, 4, 7}.
An interval is inverted by raising or lowering either of the notes by one or more octaves so that the higher note becomes the lower note and vice versa. For example, the inversion of an interval consisting of a C with an E above it (the third measure below) is an E with a C above it – to work this out, the C may be moved up, the E may be lowered, or both may be moved.
The letters S.P.I.T. is an acronym for scale, pattern, inversion, and triad and usually pertains to the first four chord types which include major 7, dominant 7, minor 7, and half-diminished expressed in all twelve key signatures. The use of S.P.I.T. methodology involves matching the scale, pattern, inversion, and triad to the key signature of ...
The first inversion of a chord is the voicing of a triad, seventh chord, or ninth chord in which the third of the chord is the bass note and the root a sixth above it. [1] In the first inversion of a C-major triad, the bass is E — the third of the triad — with the fifth and the root stacked above it (the root now shifted an octave higher), forming the intervals of a minor third and a minor ...
Download as PDF; Printable version; In other projects Wikidata item; Appearance. move to sidebar hide The following is a list of ... Major Leading-tone triad:
Major and minor forms: For asymmetrical hours (hours that are formed from two different interval classes), the minor form is the inversion of the triad with the smallest ic on the bottom, while the major form is the inversion with the largest ic on the bottom. So, XIm is equivalent to a standard minor triad (3-4), while XIM is equivalent to a ...
This means that, for example a major triad and a minor triad are considered the same set. Western tonal music for centuries has regarded major and minor, as well as chord inversions, as significantly different. They generate indeed completely different physical objects. Ignoring the physical reality of sound is an obvious limitation of atonal ...
In some fake books and lead sheets, all triads may be represented by upper case numerals, followed by a symbol to indicate if it is not a major chord (e.g. "m" for minor or "ø" for half-diminished or "7" for a seventh chord). An upper case numeral that is not followed by a symbol is understood as a major chord.
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