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The exhibitions feature more than five decades' worth of Wilmot's pottery and ceramics as well as photographs, memorabilia and Wilmot's forays into other crafts such as glassmaking and jewelry design) . [9] The exhibitions featured between 300 and 600 pieces which were brought together from various institutional and individual collections) . [9 ...
High fire ceramic with traditional designs at the Museo Regional de la Ceramica, Tlaquepaque.. Ceramics of Jalisco, Mexico has a history that extends far back in the pre Hispanic period, but modern production is the result of techniques introduced by the Spanish during the colonial period and the introduction of high-fire production in the 1950s and 1960s by Jorge Wilmot and Ken Edwards.
Uriarte is one of the oldest producers of Talavera pottery in Mexico. This is a kind of majolica, named after the city of Talavera de la Reina which had developed in Spain from Arab and Chinese origins and brought to Mexico after the Spanish conquest of the Aztec Empire. While majolica was made in a number of places in Mexico, it became highly ...
The museum collection comprises from antique pottery: Greek, Iberian and Roman to modernism piece. The first collection donated by founder González Martí, consisted of about 6.000 items, mostly ceramics from the medieval period (including ceramic objects from Manises and Paterna and Hispano-Moresque ware) to popular 19th-century Valencian tiles.
The pottery he found is part of the Casas Grandes style polychrome pottery, which flourished between 1175 and 1400 and is related to Pueblo style pottery. [78] Over time and with much experimentation, Quezada learned to recreate the pottery completely on his own with no prior training or experience at all.
Cesar Torres Ramírez (Talvera pottery, Puebla) [57] Uriarte Talavera (Talavera ceramics, Puebla) [58] Salvador Vázquez Carmona(Jalisco) [59] Jorge Wilmot (Jalisco) [60]
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From there they influenced late medieval pottery in the rest of Spain and Europe, under the name majolica. [8] [19] Spanish craftsmen from Talavera de la Reina (Castile, Spain) adopted and added to the art form. Further Italian influences were incorporated as the craft evolved in Spain, and guilds were formed to regulate the quality.
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