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Heartwork has been described as the band's "breakthrough" and "mid-period masterpiece", as well as a landmark album in melodic death metal. [10] [11] The album was recorded at Parr Street Studios, Liverpool from 18 May – 21 June 1993. The sculpture depicted in the cover art, "Life Support 1993," was designed by H. R. Giger, [1] and is an ...
S. Scarlet Records; Season of Mist; Seventh Dagger Records; Seventh Rule Recordings; SG Records; SharpTone Records; Shifty Records (United States) Shock Records
In 2005, Metal on Metal was ranked number 441 in Rock Hard magazine's book The 500 Greatest Rock & Metal Albums of All Time. [3] In 2022, it was named #25 of 'The 25 greatest rock guitar albums of 1982' list in Guitar World. [4] The album cover, designed by Dean Motter, won the 1983 Juno Award for Best Album Graphics.
The Sound of Scars is the sixth studio album by American alternative metal band Life of Agony. It was released on October 11, 2019, through Napalm Records and is the band's first release with drummer Veronica Bellino. The Sound of Scars is a concept album dealing with issues related to trauma
The album received largely positive reception. AllMusic reviewer Steve Huey gave the album four stars, and commented that "[the] band shows a strong desire to experiment and push the boundaries of the pop-metal format". [1] Rolling Stone placed the album at thirteenth on their list of the "50 Greatest Hair Metal Albums of All Time". [6]
[13] [21] The album also features distorted audio clips voiced by American philosopher and psychonaut, Terence McKenna, who died around the time of the album's recording. [3] [15] The musical style of L.D. 50 has been primarily described as heavy metal or one of its subgenres. [2] [1] [3] AllMusic described the album, in addition to heavy metal ...
The Sound of Perseverance is the seventh and final studio album by Florida death metal band Death, released on August 31, 1998, by Nuclear Blast. [ 4 ] The album featured guitarist Shannon Hamm , drummer Richard Christy , and bassist Scott Clendenin for the first time.
While Metal.de commented upon the album's colorful aesthetics and intense metalcore sound remarking "Hanabie underpin their Japano madness with crashing metalcore, Reborn Superstar! is contagious with its energy". [35] Soundmagnet praised the album's 'Harajuku-core' sound for being unconventional and innovative. [38]