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Piano concertos written in C-sharp minor include Poulenc's Piano Concerto in C-sharp minor, FP 146 (1949), Erich Wolfgang Korngold's Piano Concerto for the Left Hand, Op. 17, Nikolai Rimsky-Korsakov's Piano Concerto, and others by Ferdinand Ries, Xaver Scharwenka, Amy Beach, Miriam Hyde and Issay Dobrowen. Franz Berwald and Dimitri Shostakovich ...
The finale is a sonata-allegro in C minor in cut time with a secondary subject in E ♭ major. The tempo is Allegro comodo and the exposition is repeated. The piano accompaniment for the first theme, stated immediately in measure 1, is derived from the opening piano line of Felix Mendelssohn's Piano Trio in C minor, Op. 66, movement 1 ...
Étude Op. 2 No. 1 is in 3/4 time and is in the key of C-sharp minor. The melody is poignant and heartfelt, showing many characteristics of Russian Gypsy music [citation needed]. It is accompanied by repeated chords in both hands, featuring rich harmonies, inner voices, and large spreads in the left hand.
In harmonic analysis and on lead sheets, a C minor chord can be notated as Cm, C−, Cmin, or simply the lowercase "c". A minor triad is represented by the integer notation {0, 3, 7}. A minor triad can also be described by its intervals : the interval between the bottom and middle notes is a minor third, and the interval between the middle and ...
Sergei Rachmaninoff's Prelude in C-sharp minor (Russian: Прелюдия, romanized: Prelyudiya), Op. 3, No. 2, is one of the composer's most famous compositions. Part of a set of five piano pieces titled Morceaux de fantaisie, it is a 62-bar prelude in ternary (ABA) form.
Piano Trio in C minor, MWV Q3; Symphony No. 1; Organ Sonata, Op. 65, No. 2; Wolfgang Amadeus Mozart. Great Mass in C minor, K. 427 (417a) Piano Concerto No. 24, K. 491) Maurerische Trauermusik K. 477 (479a) Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte, K. 517; Adagio and Fugue in C minor. K. 546; Wind Serenade in C minor. K. 388 ...
Étude Op. 25, No. 7 in C-sharp minor is a solo piano technical study composed by Frédéric Chopin in 1834. Markedly different from Chopin's overall scheme of technical virtuosity, this étude focuses instead on perfect sound and phrasing, particularly for the left hand.
In Hungarian Rhapsody No. 6, Franz Liszt takes the unusual step of changing the key from D-flat major to C-sharp major near the start of the piece, and then back again to B-flat minor. Maurice Ravel selected C-sharp major as the tonic key of "Ondine" from his piano suite Gaspard de la nuit.
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