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First, art (and, more generally, culture) found itself at the centre of an ideological war. Second, during World War II, many artists found themselves in the most difficult conditions (in an occupied country, in internment camps, in death camps) and their works are a testimony to a powerful "urge to create." Such creative impulse can be ...
Films in Germany played a dominant figure in propaganda [20] during World War II in Germany. WWII was a blow to Germans film centers. [21] The film industry in Germany was controlled by the Nazis. [21] The ordering of the closure of the films was given where they were reopened later under the control of Nazi. People relied on the industry to ...
The majority of World War II films are portrayed from the Allied perspective. Some exceptions include Das Boot (1981), Downfall (2004), Letters from Iwo Jima (2006), Stalingrad (1993), Joy Division (2006), and Cross of Iron (1977). World War II used to provide most of the material for the History Channel (United States).
Art, Ideology, and Economics in Nazi Germany: The Reich Chambers of Music, Theater, and the Visual Arts. Chapel Hill: The University of North Carolina Press. ISBN 0-8078-4607-4; Thoms, Robert: The Artists in the Great German Art Exhibition Munich 1937–1944, Volume I – painting and printing. Berlin 2010, ISBN 978-3-937294-01-8.
Art theft and looting occurred on a massive scale during World War II. It originated with the policies of the Axis countries, primarily Nazi Germany and Japan, which systematically looted occupied territories. Near the end of the war the Soviet Union, in turn, began looting reclaimed and occupied territories. "The grand scale of looted artwork ...
In their art, they "discovered a new Poland"—one forever changed by the atrocities of World War II and the ensuing creation of a communist Poland. [131] [132] [133] Over the years, nearly three-quarters of the Polish people have emphasized the importance of World War II to the Polish national identity. [134]
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The strike did not affect musicians performing on live radio shows, in concerts, or, after October 27, 1943, on special recordings made by the record companies for V-Discs for distribution to the armed forces fighting World War II, because V-Discs were not available for sale to the general public. However, the union did frequently threaten to ...