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"Don't Blame Me" is a song by the American singer-songwriter Taylor Swift from her sixth studio album, Reputation (2017). Written by Swift and the song's producers, Max Martin and Shellback, "Don't Blame Me" combines electropop, EDM, and gospel pop. Its production is driven by heavy bass, pulsing synthesizers, and manipulated vocals. The lyrics ...
"Don't Blame Me" is a popular song with music by Jimmy McHugh and lyrics by Dorothy Fields.The song was part of the 1932 show Clowns in Clover and was published in 1933. . Popular versions that year were recorded by: Ethel Waters (US No. 6), Guy Lombardo, and Charles
Don't Blame Me may refer to: Don't Blame Me, an Australian children's program; Don't Blame Me; Don't Blame Me by Marc Ribot "Don't Blame Me" (Dorothy Fields and Jimmy McHugh song), first published in 1933 "Don't Blame Me" (Taylor Swift song), from the album Reputation (2017) "Don't Blame Me", a song by Little River Band from Playing to Win
Monday's live semifinals on season 24 of The Voice featured some very special trio performances!While the Top 9 singers took the stage to perform a fan-selected song in the hopes of making the Top ...
Dorothy Fields (July 15, 1904 [1] – March 28, 1974) was an American librettist and lyricist.She wrote more than 400 songs for Broadway musicals and films. Her best-known pieces include "The Way You Look Tonight" (1936), "A Fine Romance" (1936), "On the Sunny Side of the Street" (1930), "Don't Blame Me" (1948), "Pick Yourself Up" (1936), "I'm in the Mood for Love" (1935), "You Couldn't Be ...
The single's original B-side was "Don't Blame Me", which later appeared as an album track on their 1974 album Old New Borrowed and Blue. [20] In a 1979 fan club interview, Lea said: ""Don't Blame Me" was a time-filler, I think that it was created as that.
McHugh began his career in his hometown of Boston, Massachusetts, United States, [1] where he published about a dozen songs with local publishers. His first success was with the World War I song "Keep the Love-Light Burning in the Window Till the Boys Come Marching Home", and this also came near the start of a decade-long collaboration with lyricist Jack Caddigan.
The songs "Swing Low, Sweet Chariot", "Little Rachel" and "Don't Blame Me" are recorded in a reggae style, though the rest of the record is considered blues and rock. However, with his growing alcohol dependency and drug problems in Jamaica, the record was very challenging to record.