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Klismoi are familiar from depictions of ancient furniture on painted pottery and in bas-reliefs from the mid-fifth century BCE onwards. In epic, klismos signifies an armchair, but no specific description is given of its form; in Iliad xxiv, after Priam's appeal, Achilles rises from his thronos, raises the elder man to his feet, goes out to prepare Hector's body for decent funeral and returns ...
On display in Room 19–20 of the National Archaeological Museum, Athens. Klinai (Greek; sg.: klinē), [1] known in Latin as lectus triclinaris, [2] were a type of ancient furniture used by the ancient Greeks in their symposia and by the ancient Romans in their somewhat different convivia. [3]
Ancient Greek furniture was typically constructed out of wood, though it might also be made of stone or metal, such as bronze, iron, gold, and silver. Little wood survives from ancient Greece, though varieties mentioned in texts concerning Greece and Rome include maple , oak , beech , yew , and willow . [ 56 ]
Ancient Greek architecture of the most formal type, for temples and other public buildings, is divided stylistically into three Classical orders, first described by the Roman architectural writer Vitruvius. These are: the Doric order, the Ionic order, and the Corinthian order, the names reflecting their regional origins within the Greek world.
The megaron (/ ˈ m ɛ ɡ ə ˌ r ɒ n /; Ancient Greek: μέγαρον, , pl.: megara / ˈ m ɛ ɡ ər ə /) was the great hall in very early Mycenean and ancient Greek palace complexes. [1] Architecturally, it was a rectangular hall that was supported by four columns, fronted by an open, two-columned portico , and had a central, open hearth ...
American Federal Period sofa with lyre arm design circa 1790. A lyre arm is an element of design in furniture, architecture and the decorative arts, wherein a shape is employed to emulate the geometry of a lyre; [1] the original design of this element is from the Classical Greek period, simply reflecting the stylistic design of the musical instrument.
In their original Greek version, Doric columns stood directly on the flat pavement (the stylobate) of a temple without a base. With a height only four to eight times their diameter, the columns were the most squat of all the classical orders; their vertical shafts were fluted with 20 parallel concave grooves, each rising to a sharp edge called an arris.
Short visual history of furniture styles (from left to right): cloisonné plaque (), Chair of Reniseneb (Ancient Egyptian), metal brazier with satyrs from Pompei (Greco-Roman), fall-front cabinet inlaid with ivory (), low-back armchair (), casket with images of Cupids (), wood and ivory furniture fragment (), chest (), analogion (Romanian Medieval), sideboard with two bodies (Renaissance ...
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