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In literary theory, formalism refers to critical approaches that analyze, interpret, or evaluate the inherent features of a text. These features include not only grammar and syntax but also literary devices such as meter and tropes. The formalistic approach reduces the importance of a text's historical, biographical, and cultural context.
New Criticism developed as a reaction to the older philological and literary history schools of the US North, which focused on the history and meaning of individual words and their relation to foreign and ancient languages, comparative sources, and the biographical circumstances of the authors, taking this approach under the influence of nineteenth-century German scholarship.
Boris Mikhailovich Eikhenbaum [1] (Russian: Борис Михайлович Эйхенбаум, IPA: [ɨjxʲɪnˈbaʊm]; 16 October 1886 – 2 November 1959) was a Russian and Soviet literary scholar and historian of Russian literature. He is a representative of Russian formalism. [2]
A characteristic stance of formalist approaches is the primacy of form (like syntax), and the conception of language as a system in isolation from the outer world. An example of this is de Saussure's principle of arbitrariness of sign, according to which there is no intrinsic relationship between a signifier (a word) and the signified (concept ...
The first direction is the Russian Formalist's approach which assumes that there is a difference between literary and ordinary texts with features specific to literary language. The second approach rejects this assumption, as those linguistic features can be found in any other instance of language use.
Literary theory is the systematic study of the nature of literature and of the methods for literary analysis. [1] Since the 19th century, literary scholarship includes literary theory and considerations of intellectual history , moral philosophy, social philosophy, and interdisciplinary themes relevant to how people interpret meaning . [ 1 ]
Semiotic literary criticism, also called literary semiotics, is the approach to literary criticism informed by the theory of signs or semiotics.Semiotics, tied closely to the structuralism pioneered by Ferdinand de Saussure, was extremely influential in the development of literary theory out of the formalist approaches of the early twentieth century.
Theory of Literature is a book on literary scholarship by René Wellek, of the structuralist Prague school, and Austin Warren, a self-described "old New Critic". [1] The two met at the University of Iowa in the late 1930s, and by 1940 had begun writing the book; they wrote collaboratively, in a single voice over a period of three years.