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The earliest reference to the word "lyre" is the Mycenaean Greek ru-ra-ta-e, meaning "lyrists" and written in the Linear B script. [5] In classical Greek, the word "lyre" could either refer specifically to an amateur instrument, which is a smaller version of the professional cithara and eastern-Aegean barbiton, or "lyre" can refer generally to all three instruments as a family. [6]
In Greek mythology, Lyra represents the lyre of Orpheus. Orpheus's music was said to be so great that even inanimate objects such as rocks could be charmed. Joining Jason and the Argonauts, his music was able to quell the voices of the dangerous Sirens, who sang tempting songs to the Argonauts. [4] At one point, Orpheus married Eurydice, a nymph.
Print of Clio, made in the 16th–17th century. Preserved at the Ghent University Library. [1]In Greek mythology, Clio (traditionally / ˈ k l aɪ oʊ /, [2] but now more frequently / ˈ k l iː oʊ /; Greek: Κλειώ), also spelled Kleio, Сleio, or Cleo, [3] is the muse of history, [4] or in a few mythological accounts, the muse of lyre-playing.
Smith, William; Dictionary of Greek and Roman Biography and Mythology, London (1873). "Orpheus" West, Martin L., The Orphic Poems, 1983. There is a sub-thesis in this work that early Greek religion was heavily influenced by Central Asian shamanistic practices. One major point of contact was the ancient Crimean city of Olbia.
Print of Clio, made in the 16th–17th century. Preserved in the Ghent University Library. [2]The word Muses (Ancient Greek: Μοῦσαι, romanized: Moûsai) perhaps came from the o-grade of the Proto-Indo-European root *men-(the basic meaning of which is 'put in mind' in verb formations with transitive function and 'have in mind' in those with intransitive function), [3] or from root *men ...
He also added that of the Greek poets, Homer shows that he knew of the sufferings of Linus were the theme of a Greek song when he says, that Hephaestus, among the other scenes he worked upon the shield of Achilles, represented a boy harpist singing the Linus song: "In the midst of them a boy on a clear-toned lyre Played with great charm, and to ...
Erato is the Muse of lyric poetry, particularly erotic poetry, and mimic imitation. In the Orphic hymn to the Muses, it is Erato who charms the sight. Since the Renaissance she has mostly been shown with a wreath of myrtle and roses, holding a lyre, or a small kithara, a musical instrument often associated with Apollo. [2]
In Greek mythology, Hypate / ˈ h ɪ p ə t iː / (Ὑπάτη) was one of the three Muses of the lyre who were worshipped at Delphi, where the Temple of Apollo and the Oracle were located. Her name was also used to describe the first (lowest) note of the first tetrachord in ancient Greek music