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  2. Victorian decorative arts - Wikipedia

    en.wikipedia.org/wiki/Victorian_decorative_arts

    Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration .

  3. Staffordshire dog figurine - Wikipedia

    en.wikipedia.org/wiki/Staffordshire_dog_figurine

    The Staffordshire spaniel was the quintessential Victorian bourgeois status-symbol ornament: no mantelpiece was complete without a pair of spaniels standing guard. Staffordshire dogs were also placed on the window sill. Staffordshire dogs are nowadays collectors’ items. [11]

  4. Eastlake movement - Wikipedia

    en.wikipedia.org/wiki/Eastlake_movement

    In architecture the Eastlake style or Eastlake architecture is part of the Queen Anne style of Victorian architecture. Eastlake's book Hints on Household Taste in Furniture, Upholstery, and Other Details posited that furniture and decor in people's homes should be made by hand or machine workers who took personal pride in their work ...

  5. Thousands of vintage ornaments fill Christmas trees at ... - AOL

    www.aol.com/thousands-vintage-ornaments-fill...

    When I unpack my ornaments I look at them and sometimes I think, ‘Oh, wow, I forgot I had that one.’ In my view, I have one fabulous ornament after another, so I don’t think I have one favorite.

  6. Ornament (art) - Wikipedia

    en.wikipedia.org/wiki/Ornament_(art)

    Ornament in male clothing went out of fashion around 1800, in the Great Male Renunciation. Ornament in architecture and furniture resumed in the later 19th century Napoleon III style, Victorian decorative arts and their equivalents from other countries, to be decisively reduced by the Arts and Crafts movement and then Modernism.

  7. Owen Jones (architect) - Wikipedia

    en.wikipedia.org/wiki/Owen_Jones_(architect)

    The final chapter, titled 'Leaves and Flowers from Nature' acknowledges the underlying principle that dictates the design of ornament around the world, which is the form found in nature: "in the best periods of art, all ornament was based upon an observation of the principles which regulate the arrangement of form in nature" and that "true art ...

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