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fl. late 15th – early 16th century: English Presumably identical with the Sturton who composed the six-part Ave Maria ancilla Trinitatis in the Lambeth Choirbook, he contributed a Gaude virgo mater Christi to the Eton Choirbook, the six voices of which cover a fifteen-note range Robert de Févin: fl. late 15th–early 16th century: French
15th-century composers (6 C, 14 P) S. 15th-century singers (3 C, 2 P) W. 15th-century women musicians (3 C, 2 P) Pages in category "15th-century musicians"
Pages in category "15th-century composers" The following 14 pages are in this category, out of 14 total. This list may not reflect recent changes. A.
The 15th and 16th century masses had two kinds of sources that were used: monophonic (a single melody line) and polyphonic (multiple, independent melodic lines), with two main forms of elaboration, based on cantus firmus practice or, beginning some time around 1500, the new style of "pervasive imitation", in which composers would write music in ...
15th-century musicians (4 C, 4 P) R. Renaissance music (9 C, 156 P) S. 15th-century songs (1 C, 12 P) Pages in category "15th century in music" The following 10 pages ...
15th-century Irish musicians (3 P) 15th-century Italian musicians (1 C, 2 P) W. 15th-century Welsh musicians (3 P) This page was last edited on 1 November 2021, at 13
The Burgundian School was a group of composers active in the 15th century in what is now northern and eastern France, Belgium, and the Netherlands, centered on the court of the Dukes of Burgundy. The school inaugurated the music of Burgundy .
15th; 16th; 17th; 18th; 19th; 20th; Pages in category "15th-century English composers" The following 22 pages are in this category, out of 22 total. ...