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During "Pour Some Sugar On Me (UK Version)" the audio originally contained demolition sounds such as glass breaking and walls crumbling while the house they were performing in was torn down around them. The audio for the U.S. version also originally contained audio clips of crowds cheering throughout most of the song.
"Pour Some Sugar on Me" is a song by the English rock band Def Leppard from their 1987 album Hysteria. It reached number 2 on the US Billboard Hot 100 on 23 July 1988, behind "Hold On to the Nights" by Richard Marx. "Pour Some Sugar on Me" is considered the band's signature song, [1] and was ranked #2 on VH1's "100 Greatest Songs of the 80s" in ...
However, "Pour Some Sugar on Me" was the first song used there for the "live" concept (in fact, many of the scenes are the same in the two), but instead of filming a different video, slight changes were made using footage filmed in October at the Omni in Atlanta, Georgia.
The 1980s produced chart-topping hits in pop, hip-hop, rock, and R&B. Here's a list of the best songs from the time, ranging from Toto to Michael Jackson.
An increasingly popular symphony orchestra concert is a screening of a movie such as "Jaws" accompanied by a live performance of the music—reeling in new audiences to the concert hall.
Live: In the Round, in Your Face is a live video from Def Leppard. The video contains a full Def Leppard live show at the McNichols Sports Arena in Denver , Colorado and additional footage from shows at The Omni in Atlanta , Georgia , compiled from footage shot during the band's 1987/1988 US Hysteria World Tour.
The concert will air exclusively on Prime Video and the Amazon Music channel on Twitch at 9 p.m. PDT. "When we first conceived of Amazon Music Live (AML) three years ago, we wanted to make ...
A review in Billboard recommends this album to retailers as a "super set" with "stunning live performances". [1] Editors at AllMusic Guide scored this release 2.5 out of five stars, with reviewer Andrew Hamilton praising the "crack sound system" for the recording and opining that several of the live versions rival their studio recordings in quality.