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Download as PDF; Printable version; In other projects ... move to sidebar hide. Way Out Yonder may refer to: "Way Out Yonder", a 1955 song ... "Way Over Yonder", ...
Tapestry is the second studio album by the American singer-songwriter Carole King.Produced by Lou Adler, it was released on February 10, 1971, by Ode Records. [3] The album's lead singles, "It's Too Late" and "I Feel the Earth Move", spent five weeks at number one on both the Billboard Hot 100 and Easy Listening charts.
Mermaid Avenue: The Complete Sessions is a 2012 box set of albums by Billy Bragg & Wilco, all of which feature songs consisting of previously unheard lyrics written by American folk singer-songwriter Woody Guthrie set to newly created music.
In 1995, they covered the song 'Way Over Yonder' by Carole King for the tribute album Tapestry Revisited: A Tribute to Carole King. In 1998, the band recorded "Brother My Brother" for Pokémon: The First Movie, where it was used during the battle between Mew, Mewtwo, the original Pokémon, and their clones. The song was only featured in the ...
Mermaid Avenue is a 1998 album of previously unheard lyrics written by American folk singer Woody Guthrie, put to music written and performed by British singer Billy Bragg and the American band Wilco.
"Way Out Yonder" is an instrumental Bulgarian tune Irvine received from many people who had sent him cassettes over the years. The lead melodies are performed by Nikola Parov on gadulka , Brendan Power on harmonica and Rens van der Zalm of fiddle.
It was first published in Galaxy Science Fiction magazine in January 1954, where the story was titled "The Big Trip Up Yonder", which is the protagonist's euphemism for dying. A revised version bearing the title "Tomorrow and Tomorrow and Tomorrow" appeared in Vonnegut's collection of short stories, Canary in a Cat House (1961), and was ...
"Way Down Yonder in New Orleans" is a popular song with music by John Turner Layton Jr. and lyrics by Henry Creamer. First published in 1922, it was advertised by Creamer and Layton as "A Southern Song, without A Mammy, A Mule, Or A Moon", a dig at some of the Tin Pan Alley clichés of the era.