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Image of the Virgin Mary Mother of God of Guadalupe (Spanish: Imagen de la Virgen María, madre de Dios de Guadalupe) published in 1648, was the first written account of the story of Our Lady of Guadalupe. It retells the events of the 1531 apparitions that led to the Marian veneration in Mexico City, New Spain.
Margarita “Mita” Cuaron’s most famous pieces of Our Lady of Guadalupe are Virgen de la Sandía (1996) and Virgen de Guadalupe Baby (1992). Virgen de Guadalupe Baby (1992) depicts La Virgen de Guadalupe as a baby surrounded by the womb, which is shaped by white, fluffy clouds and is surrounded by La Virgen’s typical yellow, sunlight rays ...
Miguel Cabrera, El arcángel san Rafael (c. 1745-1768), the lobby of the House Museum Guillermo Tovar de Teresa at the Museo Soumaya Portrait of Cabrera's patron, Archbishop Manuel José Rubio y Salinas, 1751. Museum of Fine Arts, Boston. Altarpiece of the Virgin of Guadalupe with St. John the Baptist, Fray Juan de Zumárraga and Juan Diego
The Codex Escalada. Codex Escalada (or Codex 1548) is a sheet of parchment signed with a date of "1548", on which there have been drawn, in ink and in the European style, images (with supporting Nahuatl text) depicting the Marian apparition of Our Lady of Guadalupe to Juan Diego which allegedly occurred on four separate occasions in December 1531 on the hill of Tepeyac north of central Mexico ...
Yolanda Margarita López was born on November 1, 1942, in San Diego, California, [4] to Margaret Franco and Mortimer López. [2] She was a third-generation Chicana. [5] [6] Her grandparents migrated from Mexico to the United States, crossing the Río Bravo river in a boat while avoiding gunfire from the Texas Rangers. [7]
Our Lady of Guadalupe (Spanish: Nuestra Señora de Guadalupe), also known as the Virgin of Guadalupe (Spanish: Virgen de Guadalupe), is a Catholic title of the Blessed Virgin Mary associated with four Marian apparitions to Juan Diego and one to his uncle, Juan Bernardino reported in December 1531, when the Mexican territories were part of the ...
To Lopez, La Virgen de Guadalope is more than a religious symbol. She is a public figure and a symbol of her culture, community and family. La Virgen also served as symbols in art work for the Chicano Movement and the Women’s Liberation Movement in Mexico which Lopez cites as further support that La Virgen is not only a religious symbol. [8]
Marcos Cipac de Aquino (?–1572), informally known as Marcos the Indian, was a Nahuatl artist in sixteenth-century Mexico, who may have been the painter of the image of the Virgin of Guadalupe. Art historian Jeanette Favrot Peterson has ventured, "Marcos Cipac (de Aquino) was the artist of the Mexican Guadalupe, capable of executing a large ...