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Lilla Cabot Perry (born Lydia Cabot; January 13, 1848 – February 28, 1933) was an American artist who worked in the American Impressionist style, rendering portraits and landscapes in the free form manner of her mentor, Claude Monet. Perry was an early advocate of the French Impressionist style and contributed to its reception in the United ...
Mother by a Cradle, Portrait of Leonie Rose Davy-Charbuy was made of Martin's niece who lived with her uncle. Reflective of the family's interest in art, paintings hang in the background. In the year the painting was made Theo commented that Van Gogh done a good job painting portraits but had never asked for payment. [13]
Painting children, in particular represented rebirth and the infinite. Over his career Van Gogh did not make many paintings of children, but those he completed were special to him. During the ten years of Van Gogh's career as a painter, from 1881 to 1890, his work changed and grew richer, particularly in how he used color and techniques ...
Griselda Pollock declares the painting one of the most radical images of childhood of the time. [16] Germaine Greer calls it Cassatt's first real stunner: "As an icon of the awfulness of being at once controlled by adults and ignored by them, this bold work could hardly be bettered", [17] a view echoed by Ben Pollitt in his description of the painting as capturing the huffing and puffing ...
Madame Georges Charpentier and Her Children (also known as Madame Charpentier and Her Children) is an 1878 oil on canvas painting by Pierre-Auguste Renoir. It depicts Marguerite Charpentier, a French salonist, art collector, and advocate of the Impressionists, and her children Georgette and Paul. The painting is held by the Metropolitan Museum ...
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.
The painting along with dozens of other artwork stolen by the Nazis was later acquired by Emil Georg Bührle, a Swiss industrialist, art collector of German origin and CEO of the armaments company Oerlikon, a wartime supplier of the German military. [3] The painting remains part of the E.G. Bührle Collection in Zürich.
Mother and Child (The Oval Mirror) is an oil-on-canvas painting by the American Impressionist artist Mary Cassatt. The painting depicts a mother and her child in front of a mirror. The painting provides a glimpse of the domestic life of a mother and her child, evoking religious iconography from the Italian Renaissance. [1]
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