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Visual arts of Chicago refers to paintings, prints, illustrations, textile art, sculpture, ceramics and other visual artworks produced in Chicago or by people with a connection to Chicago. Since World War II , Chicago visual art has had a strong individualistic streak, little influenced by outside fashions.
The painting has been described as Hopper's best-known work [1] and is one of the most recognizable paintings in American art. [2] [3] Classified as part of the American Realism movement, within months of its completion, it was sold to the Art Institute of Chicago for $3,000.
The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, image, filmmaking, design, crafts, and architecture. Many artistic disciplines, such as performing arts , conceptual art , and textile arts , also involve aspects of the visual arts, as well as arts of other types.
Wall of Respect was an example of the Black Arts Movement, an artistic school associated with the Black Power Movement. [6] The scholarly journal Science & Society underscored the significance of the Wall of Respect as "the first collective street mural", in the "important subject [of] the recently emerged street art movement."
Avoid "an 1876 painting", use a "painting of 1876" or "his nude Jimbo Wales (1876)" etc.; "from 1876" is best avoided, except in a discussion of a chronological development of style or similar passage. This partly a matter of US/UK style: "an 1876 painting" is more acceptable in American English, but will rarely be found in American academic ...
Amanda Williams (born 1974) is a visual artist based in Bridgeport, Chicago.Williams grew up in Chicago's South Side and trained as an architect. [1] Her work investigates color, race, and space while blurring the conventional line between art and architecture. [2]
William Conger (born 1937) is a Chicago-based, American painter and educator, known for a dynamic, subjective style of abstraction descended from Kandinsky, which consciously employs illogical, illusionistic space and light and ambiguous forms that evoke metaphorical associations.
Style refers to the visual appearance of a work of art that relates to other works with similar aesthetic roots, by the same artist, or from the same period, training, location, "school", art movement or archaeological culture: "The notion of style has long been historian's principal mode of classifying works of art".