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"Funny" is a song by German-Russian music producer Zedd and English singer Jasmine Thompson. The two artists wrote the song with Michael Pollack and Casey Smith, as well as Jordan K. Johnson, Marcus Lomax and Stefan Johnson from the American production and songwriting team The Monsters & Strangerz, who produced the song with Zedd.
The suite's composition technique, which focused on matching music to visuals, had a big influence on Minegishi, and furthered his interest in video game music. Unlike other composers and professional musicians, he received no special musical education, and took no piano lessons when he was young; instead, Minegishi became interested in music ...
Splatoon is a Japanese video game franchise with the premise of fictional bands and idol groups, whose members are voiced and performed by real-life musicians. As of 2025, the franchise is composed of three major idol groups: the Squid Sisters (who debuted in Splatoon in 2015), Off the Hook (Splatoon 2 in 2017), and Deep Cut (Splatoon 3 in 2022).
This song has been performed by a number of artists over the years, but Tyler, the Creator's version for the 2018 animated Grinch film is a real winner.Paired with an orchestra arrangement from ...
"Ain't It Funny (Murder Remix)" is a song by American singer Jennifer Lopez for her remix album J to tha L–O! The Remixes (2002). The song was marketed as a remix of "Ain't It Funny", but is actually an entirely different song with the same title. [1] It features guest vocals from Ja Rule (Jeffrey Atkins) and Caddillac Tah (Tiheem Crocker).
Marie appears as in the campaign of Splatoon 2, recruiting the player to try and save the great Zapfish, as well as her cousin Callie, who was reported missing in-between the events of Splatoon 1 and 2. [13] [9] Callie would turn out to be an antagonist under the influence of the villain D.J. Octavio, and would be saved from his influence. [9]
Yes Remixes is a remix album featuring the songs of progressive rock band Yes and was released in 2003. Taking material harking back from 1970's Time and a Word to 1980s Drama, Virgil Howe a.k.a. "The Verge" (and son of Steve Howe) re-imagined Yes's music into a techno context, dramatically altering the band's sound. Although it briefly dented ...
It was the first single from their debut album Funny How Sweet Co-Co Can Be and became their first chart hit, peaking at number 13 on the UK Singles Chart. [3] Robin Carmody of Freaky Trigger described the "particularly fine" song as the strongest example of the Sweet's early bubblegum sound, before the group's music became heavier. [1]