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In the English language, this work is known under three different titles. Although English publications about Schopenhauer played a role in the recognition of his fame as a philosopher in later life (1851 until his death in 1860) [4] and a three volume translation by R. B. Haldane and J. Kemp, titled The World as Will and Idea, appeared already in 1883–1886, [5] the first English translation ...
For Schopenhauer, understanding the world as will leads to ethical concerns (see the ethics section below for further detail), which he explores in the Fourth Book of The World as Will and Representation and again in his two prize essays on ethics, On the Freedom of the Will and On the Basis of Morality. No individual human actions are free ...
Schopenhauer’s central proposition is the main idea of his entire philosophy, he states simply as “The world is my representation”. The rest of his work is an elaborate analysis and explanation of this sentence, which begins with his Kantian epistemology, but finds thorough elaboration within his version of the principle of sufficient ...
The Essays of Arthur Schopenhauer; Religion, a Dialogue, Etc. contains selections from Parerga and Paralipomena "Iconoclasm in German Philosophy" in The Westminster Review, Volume 59, 1853 (see p. 388) Pararerga und Paralipomena – Link to the book at archive.org (German fraktur) Schopenhauer Α. Sämtliche Werke. In 5 Bde.
Schopenhauer's aesthetics is an attempt to break out of the pessimism that naturally comes from this world view. Schopenhauer believed that what distinguished aesthetic experiences from other experiences is that contemplation of the object of aesthetic appreciation temporarily allowed the subject a respite from the strife of desire, and allowed ...
The 19th-century German philosopher Arthur Schopenhauer was the first philosopher who constructed an entire philosophical system, where he presented an explanation of the world through metaphysics, aesthetics, epistemology, and ethics — all connected with a pessimistic view of the world.
Schopenhauer takes Kant's transcendental idealism as the starting point for his own philosophy, which he presents in The World as Will and Representation. Schopenhauer described transcendental idealism briefly as a "distinction between the phenomenon and the thing in itself", and a recognition that only the phenomenon is accessible to us ...
To clarify the concept of the feeling of the sublime, Arthur Schopenhauer listed examples of its transition from the beautiful to the most sublime. This can be found in the first volume of his The World as Will and Representation , § 39.