Search results
Results from the WOW.Com Content Network
Tenor range: The tenor is the highest male voice within the modal register. The typical tenor voice lies between C3 (one octave below middle C) to C5 (one octave above middle C). The low extreme for tenors is roughly B ♭ 2 (the second B-flat below middle C). At the highest extreme, some tenors can sing up to F5 (the second F above middle C). [6]
When the soprano and alto are notated in one staff, all stems for the soprano go up, and all for the alto go down. Similarly, when the tenor and bass are notated in one staff, the upper voice is marked by stems up, and both voices are written in bass clef, while the tenor is usually written in treble clef marked an octave down if it has its own staff.
Within choral music there are only four categories for adult singers: soprano and alto for women, tenor and bass for men. [12] In the UK, the term "male alto" refers to a man who uses falsetto vocal production to sing in the alto section of a chorus. This practice is much less common outside the UK where the term countertenor is
The musical term alto, meaning "high" in Italian (Latin: altus), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In four-part voice leading alto is the second-highest part, sung in choruses by either low women's or high men's voices.
In England, the term "male alto" is used to refer to a man who uses falsetto vocal production to sing in the alto section of a chorus. This practice is much less common outside of the UK where the term countertenor is more often applied. Countertenors are also widely employed within opera as solo vocalists. The term male alto is never used to ...
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types.It is the highest male chest voice type. [1] Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B 2 to G 4) in choral music, and from the second B flat below middle C to the C above middle C (B ♭ 2 to C 5) in ...
Since most people have medium voices, they must be assigned to a part that is either too high or too low for them; the mezzo-soprano must sing soprano or alto and the baritone must sing tenor or bass. Either option can present problems for the singer, but for most singers there are fewer dangers in singing too low than in singing too high. [15]
Potential sizes include: great bass in F 2; bass in B ♭ 2 or C 3; basset in F 3 or G 3; tenor in B ♭ 3, C 4 or D 4; alto in F 4, G 4 or A 4; and soprano in C 5 or D 5. [21] The alto in F 4 is the standard recorder of the Baroque, although there is a small repertoire written for other sizes.