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The remnants of a very large diorite statue in the British Museum may be a representation of Gudea, but this cannot be determined with certainty. What remains of the statue is 1.5 m (4 ft 11 in) high (and weighs over 1,250 kg (2,760 lb)), meaning that if it were fully reconstructed the statue would be well over 3 m (9.8 ft) high and the largest ...
Ur-Ningirsu (Sumerian: 𒌨𒀭𒎏𒄈𒋢, Ur-D-nin-gir-su) [1] also Ur-Ningirsu II in contrast with the earlier Ur-Ningirsu I, was a Sumerian ruler of the state of Lagash in Southern Mesopotamia who ruled c. 2110 BC. He was the son of the previous ruler of Lagash named Gudea. [2] [3]
Gudea (Sumerian: 𒅗𒌤𒀀, Gu 3-de 2-a) was a Sumerian ruler of the state of Lagash in Southern Mesopotamia, who ruled c. 2080 –2060 BC (short chronology) or 2144–2124 BC (middle chronology).
After the fall of the Akkadian Empire, a local dynasty emerged in Lagash. Gudea, ruler of Lagash (reign ca. 2144 to 2124 BC), was a great patron of new temples early in the period, and an unprecedented 26 statues of Gudea, mostly rather small, have survived from temples, beautifully executed, mostly in "costly and very hard diorite" stone ...
The Gudea cylinders are a pair of terracotta cylinders dating to c. 2125 BC, on which is written in cuneiform a Sumerian myth called the Building of Ningirsu's temple. [1] The cylinders were made by Gudea , the ruler of Lagash , and were found in 1877 during excavations at Telloh (ancient Girsu ), Iraq and are now displayed in the Louvre in ...
At the time of Gudea, during the Second Dynasty of Lagash, Girsu became the capital of the Lagash kingdom and continued to be its religious center after political power had shifted to the city of Lagash. [4] During the Ur III period, Girsu was a major administrative center for the empire.
Girsu was the religious centre of a state that was named Lagash after its most populous city, which lay 25 km (16 mi) southeast of Girsu. Rulers of Lagash who contributed to the structure of the E-ninnu included Ur-Nanshe of Lagash in the late 26th century BC, his grandson Eannatum in the following century, Urukagina in the 24th century and ...
Female figures are very rare. They are sculpted with the same master craftsmanship as Gudea’s. This proves they were probably made for a woman of royalty or otherwise of great importance. Much of the art was hard to put on a timeline. There was a, “lack of archeological context. [7] ” Statue N of Gudea of Lagash, Louvre